After the Tall Timber by RENATA ADLER Page B

stood on top of the radio trailer and beamed a flashlight into the crowd, trying to find the sources of the cries. Thousands crowded around the platform, and several of them were pressed against it and fell. Several others, mostly members of the special group of three hundred marchers, fainted from exhaustion. A number of entertainers, each of whom had been given a dime to use for a phone call in case of an emergency, and all of whom had been instructed to stand in groups of not fewer than six, appeared on the platform. Among them were Shelley Winters, Sammy Davis, Jr., Tony Perkins, Tony Bennett, and Nina Simone. A number of girls in the crowd collapsed and, because there was no other lighted space, had to be carried onstage, where Miss Winters did her best to minister to them. Before long, twenty people, none of them seriously ill or seriously injured, were carried off to the hospital on stretchers. A large group started an agitated march within the campsite.
    “I’m tired,” said a white college student. “If only I could walk someplace and get a cab!”
    “Man, that’s not cool,” said a black. “There are a lot of hostile people outside that gate.”
    “Inside it, too, for all I know,” said the student. “See any white sheets?”
    Finally, the entertainment got under way, and the situation improved. Tony Perkins and a few others spoke with well-considered brevity. The crowd clapped along with the singers as they sang folk songs and songs of the movement, and it laughed at the comedians, including Dick Gregory, Nipsey Russell, Mike Nichols, and Elaine May. (“I can’t afford to call up the National Guard,” said Mike Nichols, impersonating Governor Wallace. “Why not?” said Elaine May, impersonating a telegraph operator. “It only costs a dime.”)
    At 2 A.M., the entertainment and speeches were over, and the performers left for a Montgomery hotel, which was surrounded for the remainder of the night by shouting segregationists. Most of the crowd drifted off the field and headed for Montgomery, and the tents were left at last to the marchers. Suddenly security tightened up. At one point, the Reverend Andrew Young himself was asked for his credentials. The hours before dawn passed without incident.
    On Thursday morning, the march expanded, pulled itself together, and turned at once serious and gay. It finally seemed that the whole nation was marching to Montgomery. Signs from every conceivable place and representing every conceivable religious denomination, philosophical viewpoint, labor union, and walk of life assembled at St. Jude’s and lined up in orderly fashion. A Magic Marker pen passed from hand to hand, and new signs went up: “The Peace Corps Knows Integration Works,” “So Does Canada,” “American Indians” (carried by Fran Poafpybitty, a Comanche from Indiahoma, Oklahoma), “Freedom” in Greek letters (carried by a black girl), “Out of Vietnam into Selma” in Korean (carried by a white girl), “The Awe and Wonder of Human Dignity We Want to Maintain” (on a sandwich board worn by a succession of people), and, on two sticks tied together, with a blue silk scarf above it, a sign reading simply “Boston.” A young white man in a gray flannel suit hurried back and forth among the platoons of marchers; on his attaché case was written “D. J. Bittner, Night Security.”
    Near the tents, Ivanhoe Donaldson and Frank Surocco (the first a black project director for SNCC in Atlanta, the second a white boy, also from SNCC) were distributing orange plastic jackets to the original three hundred marchers. The jackets, of the sort worn by construction workers, had been bought for eighty-nine cents apiece in Atlanta, and jackets like them had been worn throughout the march by the marshals, but for the marchers the orange jacket had become a singular status symbol. There was some dispute about who was entitled to wear one. There was also a dispute about the order of march. Some thought that