13 ½ by Nevada Barr Page A

a hippy and laughed at Dylan because he didn’t know what that was.
    Math and Phil gave Dylan a place to go outside his skull. Dylan’s mom would have called that a blessing. He got to thinking maybe monsters were blessed by some kind of monster god.
    They weren’t.
    At half-past ten in the morning a couple months after he’d gotten to Drummond, Dylan was called out of class by one of the guards, an old man who was scared of the bigger boys and made up for it on the littler ones.
    Ten a.m. was math class. Dylan hated being taken out so he didn’t move as fast or look as meek as he usually did when the guards told him to do something. The old guy made him pay by herding him down the hall with a bitter monologue: “You really think you’re something don’t you you little psycho if you’d been a kid of mine by god you’d never have picked up any axe or I’d have shown you what for and don’t think I won’t do it now you get any kind of idea . . . ”
    Dylan didn’t listen. None of the boys listened. Still the sourness of the man tainted the air. Drummond smelled old and cold. Under the pervasive odor of the benzene the janitors used was the reek of rancid fat, sweat, sauerkraut, farts and fear. The worst thing was that it didn’t smell like home, not like anybody’s home. At first the smell had made Dylan lonely and scared. Now he was okay with it. He was okay with Drummond. Where else could a kid like him be?
    On the second floor, above the classrooms and below where the Ward C boys slept, a big hall had been cobbled up into a lot of small rooms with flimsy doors letting off a narrow hallway. Rat maze, the Ward C boys called it. The rooms didn’t go all the way to the ceiling, which was built of beams with this cobwebby chandelier made to look like thorny branches.

    The guard told Dylan to stop outside the third door then shouldered him aside as if he might be thinking of rushing through and murdering whoever was inside. Acting like he’d just saved the world from the forces of evil, the guard rapped on the wood. Dylan couldn’t help but look at the billy club on the old guy’s belt; it was all but sticking in his face. Maybe he wanted Dylan to try to take it so he could beat on him, or spray him with Mace and play the hero.
    Maybe he was just a stupid old man.
    One day it would get him killed.
    “Enter,” said a voice. Not “come in” or “just a minute,” but “enter,” like he was a king and they were his subjects.
    The guard pushed open the door and said, “Got your nutcase for you, Doc.” He stood aside and Dylan walked past him into a little office. Three of the walls were plywood, painted white. On one there was a nondescript picture of a foggy landscape, no glass in the frame. Dylan knew it was bolted to the wall; a bunch of similar murky paintings were bolted around Drummond. The story was they’d been done by a warden’s wife and he’d put them up. Maybe they thought it would make the place seem less like what it was.
    The other wall was of granite, like a castle from the movies. Against one of the plywood walls was a couch, not fancy leather but a faded cloth couch that had once been turquoise. A wing chair was beside it with a little round table at its arm. A single deep-set window let in a suggestion of the short winter day’s light.
    A middle-aged man, trim and fit looking, with carefully combed hair and long thin fingers, sat in the room’s only chair. He had a short beard and sandy graying hair. His beard was red and looked as if it belonged on somebody else.
    “I’m Dr. Kowalski,” he said and gestured to the couch.
    Lying down would be too weird. Dylan perched on the edge of the sofa. The doctor looked at him for a long time—so long Dylan had to stop himself from fidgeting.

    “So you’re the Butcher Boy,” the doctor said finally.
    Butcher Boy.
    Dylan had heard it before but for some reason this time the words made his brain skid forward and back. Time warped. For a