A Boy's Own Story by Edmund White Page B

on a bench. There were policemen nearby. I had a white shirt on, a tie at half-mast, seersucker pants from a suit, polished lace-up shoes, clean nails and short hair, money in my wallet. I was a polite, well-spoken teen, not a vagrant or a criminal—the law would favor me. My father was nearby, working in his office; I was hanging around, waiting for him. Years of traveling alone on trains across the country to see my father had made me fearless before strangers and had led me to assume the unknown is safe, at least reasonably safe if encountered in public places. I set great store by my tie and raised the knot to cover the still-unbuttoned collar opening. No one could tell me to leave this bench.
    It was hot and dark. The circling cars were unnerving— so many unseen viewers looking at me. Although this was the town where I'd been born and spent every summer, I'd never explored it on my own. The library, the bookstore, Symphony Hall, the office, the dry cleaner's, the state liquor commission, the ball park, my school, the department stores, that glass ball of a restaurant perched high up there—these I'd been to hundreds of times with my father and stepmother, but I'd always been escorted by them, like a prisoner, through the shadowy, dangerous city.
    And yet I'd known all along it was something mysterious and anguished beyond my experience, if not my comprehension. We had a maid, Blanche, who inserted bits of straw into her pierced ears to keep the holes from growing shut, sneezed her snuff in a fine spray of brown dots over the sheets when she was ironing and slouched around the kitchen in her worn-down, backless slippers, once purple but now the color and sheen of a bare oak branch in the rain. She was always uncorseted under her blue cotton uniform; I pictured her rolling, black and fragrant, under that fabric and wondered what her mammoth breasts looked like.
    Although she had a daughter five years older than I (illegitimate, or so my stepmother whispered significantly), Blanche sounded like a young girl as she hummed to a Negro station. When she moved from one room to the next, she unplugged the little Bakelite radio with the cream-colored grille over the brown speaker cloth and took it with her. That music excited me, but I thought I shouldn't listen to it too closely. It was "Negro music" and therefore forbidden—part of another culture more violent and vibrant than mine but somehow inferior yet no less exclusive.
    Charles, the handyman, would emerge from the basement sweaty and pungent and, standing three steps below me, lecture me about the Bible, the Second Coming and Booker T. Washington and Marcus Garvey and Langston Hughes. Whenever I said something, he'd laugh in a steady, stylized way to shut me up and then start burrowing back into his obsessions, He seemed to know everything, chapter and verse— Egyptians, Abyssinians, the Lost Tribe, Russian plots, Fair Deal and New Deal—but when I'd repeat one of his remarks at dinner, my father would laugh (this, too, was a stylized laugh) and say, "You've been listening to Charles again. That nigger just talks nonsense. Now don't you bother him, let him get on with his work." I never doubted that my father was right, but I kept wondering how Dad could tell it was nonsense. What mysterious ignorance leaked out of Charles's words to poison them and render them worthless, inedible? For Charles, like me, haunted the library; I watched his shelf of books in the basement rotate. And Charles was a high deacon of his church, the wizard of his tribe; when he died his splendid robes overflowed his casket. That his nonsense made perfect sense to me alarmed me—was I, like Charles, eating the tripe of knowledge while Dad sat down to the steak?
    I suppose I never wondered where Blanche or Charles went at night; when it was convenient to do so, I still thought of the world as a well-arranged place where people did work that suited them and lived in houses appropriate to their