A Lovely Way to Burn by Louise Welsh Page A

hair, which was usually gelled in a blond quiff, but it had lost its bounce and was slumped greasily against his forehead. Stevie wondered how he dared to use public transport in the wake of failing wars, austerity and job cuts, and then she spotted the trio shadowing him, men whose sharp suits needed no padding to broaden their shoulders. They looked tired, as if a life of being on the alert had taken its toll.
    The Underground train dashed to a halt and the robot voice announced: Westminster . Stevie squeezed from the carriage, joining the stream of bodies making their way along the platform and into the corridors that led to the escalators. The station was a hundred or so years old, but the original interior had vanished beneath a monumental steel-and-concrete façade designed to remind travellers that this was a feat of engineering, a miracle to rival flesh and blood.
    Stevie stepped on to one of the upward-bound escalators, aware of other bodies being ferried upwards and downwards in the vast hallway. The whoosh and rattle of the trains was still audible beyond the hum of the escalators, but otherwise the station was surprisingly quiet, as if this was a place where machines held sway and men and women held their tongues.
    She imagined the noise that would fill the station if all of their thoughts became words, the racket of it. The idea felt like a hangover from her fever. Stevie gripped the moving bannister and looked up towards the exit. The angle of the stairwell was dizzying.
    Then, suddenly, the hum of the machine world was fractured by shouting. Stevie looked across the rows of escalators and saw a man tumbling down the metal steps, limp-limbed and flailing. Somewhere, someone must have hit the emergency button because the staircase stalled. People reached towards him, trying to stop his progress, but the man’s body had gathered momentum. He crashed into a woman on the stairs below; she fell too, and then it seemed that a shoal of people were falling.
    A couple of youths managed to leap on to the bannisters, but gravity was faster than even gym-fit commuters and other people were caught in the descent. Stevie had watched countless movie villains tumble to their deaths, but cinema hadn’t prepared her for the chaos of it, or the sound of bone on metal that seemed to rise above the shouting. Her escalator juddered to a halt and she stood, frozen, unsure of what to do. The screaming died into sobs and agitated chatter, and she heard a train rush into the station. Down below, people were gathering. Someone was crying. Someone else shouted for a doctor. And then slowly, unbelievably, the queue of people on the stairway ahead of Stevie started to move, and she moved with them, climbing out of the Underground towards the light.
    She overheard a passing teenager, who might have been Italian, say, ‘He was swaying and then he fell. I saw him. It was too quick to do anything. What could I do? I was on the other staircase.’
    A cockney voice answered, ‘Nah, mate, he was pushed. I saw it with my own eyes. A white man pushed him down the steps.’
    ‘He’s got the sickness,’ said an elderly lady. ‘That’s how it hits you. One moment you’re okay, the next you’re dead.’
    ‘It was gravity got him,’ the cockney youth said. ‘It never lets up for a moment.’
    Then they were outside, embraced by the ever-present rumble of traffic and the stale city air that not even the river could freshen. For an instant the commuters, newly released from the world below, were distinct from the pedestrians aboveground, as if their mortality had risen to the surface with them and left its mark. Then they dispersed, and were absorbed into London’s careless anonymity, taking the memory of the falling man with them.
    Stevie wove her way between the tourists who crammed the streets around Westminster, viewing the sites through the lenses of their cameras. The satchel containing the laptop banged against her thigh. An ambulance