swarms,
The scented groves,
Or hounded forth, dishonor arms,
In hungry droves.
Their gun âs a burden on their shouther;
They downa bide the stink oâ powther ;
Their bauldest thoughtâs a hankâring swither,
To stanâ or rin,
Till skelpâa shotâtheyâre aff, aâ throuâther,
To save their skin.
But bring a S COTCHMAN frae his hill,
Clap in his cheek a highlan gill ,
Say, such is royal G EORGEâS will,
Anâ thereâs the foe,
He has nae thought but how to kill
Twa at a blow.
Nae cauld, faint-hearted doubtings tease him;
Death comes, with fearless eye he sees him;
Wiâ bluidy hand a welcome gies him;
Anâ when he faâs,
His latest draught oâ breathin leaâes him
In faint huzzas.
Sages their solemn een may steek,
Anâ raise a philosophic reek,
Anâ physically causes seek,
In clime anâ season ,
But tell me Whisky âs name in Greek,
Iâll tell the reason.
S COTLAND , my auld, respected Mither!
Thoâ whyles ye moistify your leather,
Till when ye speak, ye aiblins blether;
Yet deil-mak-matter!
F REEDOM and W HISKY gang thegither,
Tak aff you whitter.
âL ove and Libertyâ is the ultimate secular cantata, set in an Ayrshire pub. A sequence of separate movements coralled into a spirited chamber piece, it might be considered a close relation of Bachâs Peasant Cantata , which features a pair of singers on their way to an inn and plays with notions of rustic accents. In its dramatic structure, the poem owes something to the musical form, but Burns politicises the conditions of these jolly beggars in a way that must have seemed shocking when it was eventually published in 1799. A touch of France hangs over the smoky parlour and that final chorus:
A fig for those by law protected!
L IBERTYâS a glorious feast!
Courts for Cowards were erected,
Churches built to please the P RIEST .
Love and LibertyâA Cantata
R ECITATIVO
When lyart leaves bestrow the yird,
Or wavering like the Bauckie-bird, 1
Bedim cauld Boreasâ blast;
When hailstanes drive wiâ bitter skyte,
And infant Frosts begin to bite,
In hoary cranreuch drest;
Ae night at eâen a merry core
Oâ randie, gangrel bodies,
In Poosie-Nansieâs 2 held the splore,
To drink their orra dudies:
Wiâ quaffing, and laughing,
They ranted anâ they sang;
Wiâ jumping, anâ thumping,
The vera girdle rang.
First, neist the fire, in auld, red rags,
Ane sat; weel bracâd wiâ mealy bags,
And knapsack aâ in order;
His doxy lay within his arm;
Wiâ USQUEBAE anâ blankets warm,
She blinket on her Sodger:
Anâ ay he gies the tozie drab
The tither skelpan kiss,
While she held up her greedy gab,
Just like an aumous dish:
Ilk smack still, did crack still,
Just like a cadgerâs whip;
Then staggering, anâ swaggering,
He roarâd this ditty upâ
A IR
I am a Son of Mars who have been in many wars,
And show my cuts and scars wherever I come;
This here was for a wench, and that other in a trench,
When welcoming the French at the sound of the drum.
Lal de daudle, &c.
My Prenticeship I past where my L EADER breathâd his last,
When the bloody die was cast on the heights of A BRAM ;
And I served out my T RADE when the gallant game was playâd,
And the M ORO low was laid at the sound of the drum.
I lastly was with Curtis among the floating battâries ,
And there I left for witness, an arm and a limb;
Yet let my Country need me, with E LLIOT to head me,
Iâd clatter on my stumps at the sound of a drum.
And now thoâ I must beg, with a wooden arm and leg,
And many a tatterâd rag hanging over my bum,
Iâm as happy with my wallet, my bottle and my Callet,
As when I usâd in scarlet to follow a drum.
What thoâ, with hoary locks, I must stand the winter shocks,
Beneath the woods and rocks
Pauline Rowson
K. Elliott
Gilly Macmillan
Colin Cotterill
Kyra Davis
Jaide Fox
Emily Rachelle
Melissa Myers
Karen Hall
Carol Wallace, Bill Wallance