some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things. The Baudelaire orphans were crying not only for their Uncle Monty, but for their own parents, and this dark and curious feeling of falling that accompanies any great loss. What was to happen to them? Stephano had heartlessly slaughtered the man who was supposed to be watching over the Baudelaires, and now they were all alone. What would Stephano do to them? He was supposed to be left behind when they went to Peru, and now he would be leaving with them on the Prospero. And what terrible things would happen in Peru? Would anybody rescue them there? Would Stephano get his hands on the fortune? And what would happen to the three children afterward? These are frightening questions, and if you are thinking about such matters, they require your full attention, and the orphans were so immersed in thinking about them that they didn't realize that Stephano was about to collide with another automobile until the moment of impact. There was a horrible tearing sound of metal and glass as a black car crashed into Uncle Monty's jeep, throwing the children to the floor with a jarring thump that felt as though it left the Baudelaire stomachs up on the seat. The black suitcase lurched into Violet's shoulder and then forward into the windshield, which immediately cracked in a dozen places so it looked like a spiderweb. Stephano gave a cry of surprise and turned the steering wheel this way and that, but the two vehicles were locked together and, with another thump, veered off the road into a small pile of mud. It is a rare occurrence when a car accident can be called a stroke of good fortune, but that was most certainly the case here. With the snake-shaped hedges still clearly visible behind them, the Baudelaires' journey toward Hazy Harbor had stopped. Stephano gave another sharp cry, this one of rage. "Blasted furnaces of hell!" he shouted, as Violet rubbed her shoulder to make sure she wasn't seriously hurt. Klaus and Sunny got up cautiously from the jeep floor and looked out the cracked windshield. There appeared to be only one person in the other car, but it was hard to tell, as that vehicle had clearly suffered much more damage than Monty's jeep. Its entire front had pleated itself together, like an accordion, and one hubcap was spinning noisily on the pavement of Lousy Lane, making blurry circles as if it were a giant coin somebody had dropped. The driver was dressed in gray and making a rough hacking sound as he opened the crumpled door of the car and struggled his way out. He made the hacking sound again, and then reached into a pocket of his suit and pulled out a white handkerchief. "It's Mr. Poe!" Klaus cried. It was Mr. Poe, coughing away as usual, and the children were so delighted to see him that they found themselves smiling despite their horrible circumstances. "Mr. Poe! Mr. Poe!" Violet cried, reaching around Stephano's suitcase to open the passenger door. Stephano reached out an arm and grabbed her sore shoulder, turning his head slowly so that each child saw his shiny eyes. "This changes nothing!" he hissed at them. "This is a bit of luck for you, but it is your last. The three of you will be back in this car with me and heading toward Hazy Harbor in time to catch the Prospero, I promise you." "We'll see about that," Violet replied, opening the door and sliding out from beneath the suitcase. Klaus opened his door and followed her, carrying Sunny. "Mr. Poe! Mr. Poe!" "Violet?" Mr. Poe asked. "Violet Baudelaire? Is that you?" "Yes, Mr. Poe," Violet said. "It's all of us, and we're so grateful you ran into us like this." "Well, I wouldn't say that," Mr. Poe said. "This was clearly the
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