A Thousand Years of Good Prayers: Stories

A Thousand Years of Good Prayers: Stories by Yiyun Li Page A

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Authors: Yiyun Li
Tags: Fiction, Short Stories (Single Author)
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a whole pub of evening drinkers.
    What gets him killed is his comment about heroes and sows. At this time, we respect the communist power above us as our big brother. In our big-brother country, the Soviet Union, it is said, women are encouraged to produce babies for the communist cause, and those who have given birth to a certain number of babies are granted the title
mother hero.
Now that we are on the same highway to the same heaven, the dictator decides to adopt the same policy.
    The young carpenter is a little drunk when he jokes aloud to his fellow drinkers, “Mother heroes? My sow has given birth to ten babies in a litter. Shouldn’t she be granted a title too?”
    That’s it, a malicious attack on the dictator’s population policy. The carpenter is executed after a public trial. All but his wife attend the meeting, every one of us sticking our fists high and hailing the People’s victory, our unanimous voice drowning out his wife’s moan from her bed. We shout slogans when the bullet hits the young man’s head. We chant revolutionary songs when his body is paraded in the street. When we finally lose our voices from exhaustion, we hear the boy’s first cry, loud and painful, and for a moment, it is difficult for us to look into one another’s eyes. What have we done to a mother and a baby? Wasn’t the dead young man one of our brothers?
    What we do not know, at the time, is that a scholar in the capital has been thrown in jail and tortured to death for predicting a population explosion and calling for the dictator to change the policy. Nor do we know that in a meeting with the leader of the big-brother country in Moscow, the dictator has said that we do not fear another world war or nuclear weapons:
Let the Americans drop the atomic bombs on our
heads. We have five hundred million people in our nation.
Even if half of us are killed, we still have two hundred and
fifty million, and these two hundred and fifty million would
produce another two hundred and fifty million in no time.
    Later, when we read his words in the newspaper, our blood boils. For the years to come, we will live with our eyes turned to the sky, waiting for the American bombs to rain down on us, waiting to prove to the dictator our courage, and our loyalty.
    THE BOY GROWS up fast like a bamboo shoot. The mother grows old even faster. After the carpenter’s death, upon her request, the Revolution Committee in our town gives her a job as our street sweeper. Every dawn, we lie in our beds and listen to the rustling of her bamboo broom. She has become a widow at the age of eighteen, as beautiful as a young widow could be, and naturally some of our bachelors cannot help but fantasize about her in their single beds. Yet none of our young men offers her another marriage. Who wants to marry a counterrevolutionary’s widow and spend the rest of his life worrying about being a sympathizer of the wrong person? What’s more, even though the dictator has said that men and women are equal in our nation, we still believe a widow who wants another husband is a whore inside. Our belief is confirmed when we read in newspapers the dictator’s comment about one of his close followers who has become an enemy of the nation:
A man cannot conceal his
reactionary nature forever, just as a widow cannot hide her desire to be fucked.
    So the young mother withers in our eyes. Her face becomes paler each day, and her eyes drier. By the time the boy is ten, the mother looks like a woman of sixty. None of our bachelors bothers to lay his eyes on her face anymore.
    The boy turns ten the year the famine starts. Before the famine, for three years, we have been doing nothing except singing for our communist heaven and vowing to liberate the suffering working class around the world. Farmers and workers have stopped toiling, their days spent in the pains and joys of composing yet another poem, competing to be the most productive proletarian poet. We go to the town center every

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