whatever I want it to write. I ravenously attack an ant, and start plucking out hairs from my armpit. A little hair removal. I pluck out footprints. Chills. Certainties. Things I should do. I pull out ferocious eels and cover my belly with candyfloss.
It’s June.
They’re having a festa junina 13 in the asylum.
The square-dancing lunatics are all in a line. The ones who take Gardenal don’t speak. Others take Haldol. Others are drug addicts. Others could kill for a cachaça and play snooker. No one wants to join the line and dance. No psychotic wants to dance. No dimwit wants to stop banging his head against the wall. But Rimbaud is happy and dances without any sadness. There he is, if you pardon my bluntness, with the knife between his teeth. He’s a gypsy spirit, the spirit of an Indian. Spirit of a pig. Thorn. Leprosy. AIDS. The silence of quicklime and myrtle, hollyhocks among the garden herbs. Rimbaud embroiders frangipani flowers on a straw cloth. Seven birds in the colours of the prism fly on the grey spider. Two horsemen gallop by Rimbaud’s eyes: Baudelaire and me. Everything that kills passes by me. What is this? Cocaine or ether? What is this new sound? Drums. I can’t dance, I can’t dance. He’s my friend, finally – a friend. Acugêlê banzai! I spit up into the air and open an umbrella. Baudelaire spits as he speaks. I use the umbrella to protect myself. Spits and sputters.
I was ordered to be here. I didn’t want to come. I don’t want to stay, for fuck’s sake! Tell them I’m Charles Laughton, for fuck’s sake! Haven’t they ever seen a film? The abandoned ones would have a better life outside. Even I would. Let’s say I’m spending a season in hell, a season in my temples with my poet and actor friends. Tomorrow I’ll forget about them, but they’ll be back the day after tomorrow. I know they’ll never abandon me. That’s what friends are for, right? The street cleaner invites me to eat a box of Segredo biscuits with him. Life is a secret for me. I don’t know exactly what it means. In the outside world I look for my name in the obituaries every day. I’ve already decided: I don’t want to go to my funeral. I wonder what heaven for objects is like? Heaven for clocks, for TVs, computers, slingshots, forks, knives, spoons. We only have spoons here. No one eats with a knife and fork. They eat with their mouths open, except Granny who eats a bit like my grandmother; she’s skinny, soft, sweet. And one more very important detail: she gives me a kiss every time she passes by. I don’t really care much for kisses. Rimbaud forced me to kiss him on the lips once. I’ve told him, it’s no use, I can’t be what I’m not.
Who knows, Rimbaud, maybe Verlaine will come along and fix that.
Baudelaire appears wearing boxing gloves. Baudelaire is nearly always an annoying, cranky prick. And strong. I almost, almost, never say yes to Baudelaire. Rimbaud’s dirty. He needs to take a shower. Like Foucault always said, a good shower is a cold shower. Every lunatic should take a cold shower before bed. Electroshock comes from thermal shock.
The cold invites the fire. Jump over the bonfire, Rimbaud.
Jump, you bastard!
A dimwit and a bipolar woman are married by a hot psychologist. There are some good doctors. Most of the doctors are nice. My dad comes by. My sister comes by. My brother, my sister, Adélia and Anália, our sweet maids, with the strength of a thousand Haldols.
I’m sad and everyone is happy.
I’m reminded of the festas juninas of my childhood.
Because I’m fat, I dance with the fattest girl. That’s life. Fatty with fatty. Skinny with skinny. Ugly with ugly. Pretty with pretty. I’d like the prettiest girl. I want to screw the psychologist. That’s life. Lunatic with lunatic.
They made a huge bonfire out of paper and the lunatics’ dirty nappies.
That guy who dared to leap over the flames got taken up the arse by the huge blaze of shit. That’s what yesterday
It’s June.
They’re having a festa junina 13 in the asylum.
The square-dancing lunatics are all in a line. The ones who take Gardenal don’t speak. Others take Haldol. Others are drug addicts. Others could kill for a cachaça and play snooker. No one wants to join the line and dance. No psychotic wants to dance. No dimwit wants to stop banging his head against the wall. But Rimbaud is happy and dances without any sadness. There he is, if you pardon my bluntness, with the knife between his teeth. He’s a gypsy spirit, the spirit of an Indian. Spirit of a pig. Thorn. Leprosy. AIDS. The silence of quicklime and myrtle, hollyhocks among the garden herbs. Rimbaud embroiders frangipani flowers on a straw cloth. Seven birds in the colours of the prism fly on the grey spider. Two horsemen gallop by Rimbaud’s eyes: Baudelaire and me. Everything that kills passes by me. What is this? Cocaine or ether? What is this new sound? Drums. I can’t dance, I can’t dance. He’s my friend, finally – a friend. Acugêlê banzai! I spit up into the air and open an umbrella. Baudelaire spits as he speaks. I use the umbrella to protect myself. Spits and sputters.
I was ordered to be here. I didn’t want to come. I don’t want to stay, for fuck’s sake! Tell them I’m Charles Laughton, for fuck’s sake! Haven’t they ever seen a film? The abandoned ones would have a better life outside. Even I would. Let’s say I’m spending a season in hell, a season in my temples with my poet and actor friends. Tomorrow I’ll forget about them, but they’ll be back the day after tomorrow. I know they’ll never abandon me. That’s what friends are for, right? The street cleaner invites me to eat a box of Segredo biscuits with him. Life is a secret for me. I don’t know exactly what it means. In the outside world I look for my name in the obituaries every day. I’ve already decided: I don’t want to go to my funeral. I wonder what heaven for objects is like? Heaven for clocks, for TVs, computers, slingshots, forks, knives, spoons. We only have spoons here. No one eats with a knife and fork. They eat with their mouths open, except Granny who eats a bit like my grandmother; she’s skinny, soft, sweet. And one more very important detail: she gives me a kiss every time she passes by. I don’t really care much for kisses. Rimbaud forced me to kiss him on the lips once. I’ve told him, it’s no use, I can’t be what I’m not.
Who knows, Rimbaud, maybe Verlaine will come along and fix that.
Baudelaire appears wearing boxing gloves. Baudelaire is nearly always an annoying, cranky prick. And strong. I almost, almost, never say yes to Baudelaire. Rimbaud’s dirty. He needs to take a shower. Like Foucault always said, a good shower is a cold shower. Every lunatic should take a cold shower before bed. Electroshock comes from thermal shock.
The cold invites the fire. Jump over the bonfire, Rimbaud.
Jump, you bastard!
A dimwit and a bipolar woman are married by a hot psychologist. There are some good doctors. Most of the doctors are nice. My dad comes by. My sister comes by. My brother, my sister, Adélia and Anália, our sweet maids, with the strength of a thousand Haldols.
I’m sad and everyone is happy.
I’m reminded of the festas juninas of my childhood.
Because I’m fat, I dance with the fattest girl. That’s life. Fatty with fatty. Skinny with skinny. Ugly with ugly. Pretty with pretty. I’d like the prettiest girl. I want to screw the psychologist. That’s life. Lunatic with lunatic.
They made a huge bonfire out of paper and the lunatics’ dirty nappies.
That guy who dared to leap over the flames got taken up the arse by the huge blaze of shit. That’s what yesterday
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