photographic negative, lies the vast, unapproachable America that tells us who we are not.
One block south to Market Street. Already I can feel sweat starting on my face. The heat grips you and wrings your water out; it pulls damp spots onto the hatbands and jackets of passersby. Now I stand before the granite mass of Wanamakerâs Grand Depot. Inside, the marble floors are cool. The central atrium rises seven stories, a tower of air carved from the stone. It is home to the worldâs largest pipe organ, brought from the St. Louis Worldâs Fair. By the console on the ground floor is a ten-foot bronze eagle, which I admire for almost an hour before Suzanne arrives.
She is wearing a deep green skirt and has pinned her hair up. It is a more serious style, but she isnât old enough to look serious. She just looks beautiful.
âCash!â she cries as she approaches. âWhat are you doing here?â
âI wanted to surprise you.â
âWell, you did.â She throws her arms around my neck and kisses my cheek. âWhat shall we do now?â
Her hair smells like a summer in Maine. âI donât have very much time.â
Suzanne does not seem to hear me. âI know,â she says. âWeâll go up to the Crystal Room and have tea.â
I can feel my face tightening. âI canât. I have to go back to Washington.â
âYou just got here.â
Haynes was right, I realize. The work is important. There will be big cases. Even the certs matter; theyâre my chance to help decide which cases the Court will hear. âNo, you just got here. Iâve been standing around for an hour.â
A different look comes into Suzanneâs eyes. âWell, I didnât know that.â
âWhat were you in town for, anyway?â
âShopping.â
âYou donât like to shop.â
âThereâs not much to do with you away.â She shakes her head. âCash, this isnât what was supposed to happen.â
âWhat do you mean?â
âI know weâre at war, and youâre doing something important, and itâs notjust drive-ins and ice cream sodas for anyone anymore. But I miss you. I miss your voice and your hands and the way I feel in your arms. I was so scared for you, and then I was so happy, and now it seems like all this was just another way of losing you.â
She turns away. From behind I can see her long and slender neck, a curl of hair that has escaped the bobby pins and lies, fernlike, on the nape. Suzanne dabs at her eyes and I look off to the side. Men in uniform pass in the background.
âI know itâs hard,â I say. âItâs hard for me, too. But this is my chance.â
âYour chance for what?â
âTo do something more.â
Suzanne turns back now. Something flickers in her green eyes. Before I can tell whether itâs pity or anger or sorrow, it is gone again. âMy father said that to you,â she says. âI mean, the Judge did. But you know, Cash, everyone wants something more. Itâs not what people want that makes them different. Itâs what theyâre willing to give up.â
âI want to do something thatâs mine,â I say. âThat my father didnât give me, or your father for that matter.â
âSomething thatâs yours.â There is an odd high note in her laugh, one I canât recall hearing before.
âWhat?â
âHeâs good.â She shakes her head. âA nameless patch of foreign ground or the Main Line rosary. I heard that speech. He practiced it on me. Working at the Court is wonderful, and Iâm glad youâre doing it, but thatâs not whatâs yours.â
âWhat is, then?â
Suzanne hesitates a moment, her lips parted. âI am, Cash.â Now her eyes are pleading. âIâm whatâs yours.â
I donât know what to say. Behind the face I know, I can
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