was blown up. A prosecutor, Francis Heney, was shot, the bullet slamming through his jaw. The editor of the
San Francisco Bulletin,
Fremont Older, was kidnapped at gunpoint. An assassin was hired to shoot Billy, but the detective learned of the plot and arrested the man.
Calhoun, however, did not in the end need to have anyone killed. He escaped conviction thanks to the indispensable help of Earl Rogers, a bombastic yet clever criminal lawyer. Rogers came up with a malicious strategy: Calhoun would, with his intransigent demands, force the unions to declare a strike against his railroad; then, he’d rush to the paralyzed city’s rescue by breaking the strike. Carrying out the plan required twelve hundred strikebreakers, but in the end Calhoun defeated the union.
Harrison Gray Otis had made sure Calhoun became a hero. The San Francisco papers were pro-union, so Otis had special editions of the
Times
shipped north daily and distributed on the San Francisco streets. Each edition lauded the brave Calhoun and attacked the vindictive strikers. Thanks to Otis’s flattering editorials and disingenuous reporting, Calhoun’s accomplishments grew into legend. And the jury would not convict the man who had seemingly saved the city; the incriminating facts of the bribery case were simply a tedious irrelevancy.
Billy, although personally sympathetic to the workingman, could also understand in principle Otis’s commitment to the antiunion cause. However, the detective was too strong a moralist to believe that Otis’s unscrupulous actions had any justification. The publisher had championed a guilty man, a man who had conspired to have the detective killed. Otis’s actions, Billy was convinced, were driven by a diabolical ethic: He would do whatever was necessary to achieve his ends.
But this morning Billy could not help but be affected. The mood of the frightened, damaged city reached out to him.
Another earthquake,
he decided,
would not have created such fear.
He understood too well the sort of man capable of such destruction.
A cunning, heartless ruthless enemy of society. A homicidal manic.
Billy hoped the man responsible would be caught soon, before he could strike again. But it was, he also knew, not his personal concern. Or his case. He had come to Los Angeles at the request of his biggest client to deliver a speech.
Billy enjoyed speaking to audiences. Always the actor, he knew how to reach out to a crowd. He’d offer up accounts of his famous cases, playing up the suspense and the danger as he built to an inevitable conclusion—the great detective getting his man. And he loved the applause.
He was in his hotel room, reviewing a draft of his speech to the bankers one final time, waiting impatiently for his breakfast to be delivered, when the house phone rang. The caller was George Alexander, the mayor of Los Angeles. He was in the lobby and wanted to come up.
Billy told the mayor his room number and waited. He had no doubt as to why the mayor wanted to speak with him. But his mind was set. He would not take the case. He had a new company to build. He did not want, or need, to be involved in another time-consuming and politicized investigation, another San Francisco. He had already confronted too many powerful adversaries in his lifetime. Besides, he was scheduled to give a speech in less than three hours.
“This certainly is a stroke of luck,” Mayor Alexander said as he pumped Billy’s hand. “You being right in the city at a time like this.” He was an older man, in his seventies, and with his long white goatee and a bit of the brogue from his native Scotland in his voice, he struck Burns as a comical figure, the sort of engaging character you’d see on stage in a vaudeville farce. But this morning Alexander was dour and mournful. Los Angeles had been attacked, and its mayor was frantic with concern. How many more bombs would explode? How many more people would be killed? The mayor needed the famous
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