always use one more, according to Jim.
Around the site, a dozen other elderly workers shrug themselves into glinting metallic devices—drinking in the pure, sweet strength of youth. Others sway on prosthetic legs or flex sinuous carbon fiber forearms. All the old men set to their jobs with the grim robotic work ethic that always belongs to the previous generation. And across the street from the construction site, a dark pool of anger deepens.
For the next few hours, I’m setting up scaffolding and breaking it down so these vintage spider monkeys can place chattering rods of rebar. The sun has come up for real now, dull and pounding. Jim tells me I’m making less than minimum wage in cash for this. I’m thankful for the money but mostly for the mindless routine of work.
“Things are changing faster and faster,” calls Jim over his shoulder as he lays out rebar for cementing. He talks between the sporadic catcalls that still ring out from beyond the fence. “Change scares people. Makes them dangerous.”
“Then why are you here?” I ask. “You’ve got a pension, right?”
Jim chuckles drily. “You’re just a kid. You don’t know about getting old. But you’re right—it ain’t about money.”
“Then maybe you should think about getting a hobby.”
In a sudden mechanical jerk, Jim hops off the scaffolding and lands hard enough to make me flinch. He holds out his calloused hands, palms up. The exoskeleton motors grind quietly, like a cat purring, as the pincers retract.
“I’m a builder right now. What am I without a job? Without a tool in my hand?” asks Jim.
I picture Jim sitting inside his trailer, alone with a bottle of booze, finishing the umpteenth pointless game of solitaire. Stale, heavy air and the mindless whisper of a television. To him, the exoskeleton must seem like a second chance. Like youth bottled and sold.
“And what if the tool is inside you? What are you then?” I ask.
Jim shrugs an arm out of the machine and wipes sweat off his forehead. Puts his arm back in without looking. He speaks carefully. “It’s still only a tool. In the end, a man makes his own decisions. You decide, not the machine.”
“Why am I here, Jim?”
Jim reaches for a rod of rebar. He clamps the curved pincers around it, lifts the bouncing metal like it was made of Styrofoam. He stops and looks at the rebar with fresh eyes, as if realizing that every move he makes is a miracle.
“I bet this mess weighs more than I do. And I’m holding it like it was nothing. The machines give us a lot of power.” Jim places the rod, continues. “Way I figure, your pop sent you to me, hoping I could tell you what’s in your head and what you’re going to do with it. Problem is, I don’t really know.”
My shoulders slump.
“But I got an idea,” continues Jim. “And from what I can tell, there are only two bets. Either you’re here for Eden to protect you … or you’re here to protect Eden.”
A shrill whistle blows from across the street.
From over the wall, I hear the demonstrators start up a chant. The voice of the crowd is deep, the edges of the words grated off by straining vocal cords. “Pure Pride,” they’re saying. “Pure Pride.”
I imagine those dozens of ragged pink mouths spilling their garbled words and remember Samantha falling between my fingers. Events are still moving out of control. The reins have slipped away and now they’re dragging loose, slapping on the ground.
Jim plucks a dusty sledgehammer off the ground.
“How could
I
protect you?” I ask, incredulous.
Jim stares at me, letting his eyes wander to the nub on my temple. “You might be surprised what you’re capable of.”
The old man is hunched up, leaning over the sledgehammer. A drop of sweat hangs from the tip of his nose and he ignores it. “We’ve got big problems. And not just here,” he says. “Everywhere. Battle lines are being drawn up. Amps and their families are running back to Uplift sites all
Margery Allingham
Kay Jaybee
Newt Gingrich, Pete Earley
Ben Winston
Tess Gerritsen
Carole Cummings
Cara Shores, Thomas O'Malley
Robert Stone
Paul Hellion
Alycia Linwood