cluster of seedless grapes, which she munched on hungrily. She made another pot of tea. Then it was back to work.
When sheâd finished the painting, she saw daylight again; for the second night in a row, sheâd worked without sleep. Stepping back, Anne examined her creation with a critical eye.
âYes,â she whispered, awed by the painting before her.
This was her best work to date. Sheâd call it⦠Visitation . Smiling, she studied the painting from several angles.
The phone rang, startling her, and she hurried to answer it.
âAnne, itâs Marta.â
âOh, Marta, hello.â Her mind raced frantically as she tried to remember what day it was. Anne had a terrible feeling sheâd missed their dinner appointmentânot to mention her lunch with Royâand sincerely hoped she hadnât. She thought for a minute; as far as she could calculate, it was Thursday morning. Never had she worked on a project in such a frenzied fashionâto the point that she no longer knew what day of the week it was.
âI just called to ask if youâd let me see one of your paintings.â
âOh, Marta, are you sure?â Anne would never presume to ask her friend for this kind of favor.
âIâve been hearing good things about your landscapes. A colleague of mine was on the island last summerâKathy Gruberâand met you. She saw your work at a local exhibit. You remember her, donât you?â
âYes, of course.â
âSince Iâm in town this week, Iâd like to take a look at some of your pieces.â
Anne glanced at her angel. âIâll let you see one, but it isnât a landscape. As it happens, I just finished it.â Eyeing the canvas, she frowned. The painting was too big; she couldnât bring it into town with her. âIt wonât fit in my car,â she said.
âI can make a trip out to your place tomorrow, if thatâs convenient.â
âOf course it is, but weâre still meeting for dinner tonight, arenât we?â
âI wouldnât miss it for the world,â Marta assured her.
âMe, neither,â Anne said.
They spoke for a few minutes longer. When Anne replaced the receiver, she saw by the clock that she had just enough time for a short nap and a shower before heading into Seattle to meet her son.
Six
âN ot bad,â Goodness said as she studied the painting. She cocked her head to one side and decided that, as a portrait, it was uncannily accurate. âIt certainly looks like Shirley.â
âI had no idea I was so lovely,â Shirley said, clasping her hands. âIs that truly the way Anne sees me?â She gazed expectantly at her two friends.
âSo it seems,â Goodness replied.
âWhat I want to know,â Mercy began, making herself at home in Anneâs studio, âis why we havenât been dragged back to Heaven in disgrace.â She glanced pointedly at Shirley. âBy all rights, we should be standing guard at the Pearly Gates after what she did.â
Mercy was the one more accustomed to causing trouble on Earth. It used to be Shirley who made them tread the straight and narrow, but apparently the job hadâunfairlyâfallen to Goodness. For this assignment, anyway.
She couldnât give Mercy an answer. The Archangel clearly had his own reasons for keeping them on Earth.
âWe have an important task,â Shirley explained as if that should be obvious. âAnne and Roy need us.â
âSeems to me Julie could use a hand, too,â Goodnessmuttered. She didnât want to be judgmental, but the woman Mercy considered the answer to Anneâs prayer was being less than cooperative.
âWhat do you mean?â Mercy asked. âI thought the accident was a brilliant idea! It got Roy and Julie together, didnât it?â
âAll they did was snipe at each other.â Goodness wasnât disparaging her
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