and Calvin Sideyâs alleged role. Finally, she asked May Swearingen, who not only knew most of the townâs gossip but much of Gladstoneâs official history as well.
â âThe French are a funny raceââwhatâs that supposed to mean?â Beverly asked. âAnd what could it possibly have to do with Calvin Sidey and Del Murdockâs death?â
âYou never heard that saying?â May Swearingen was hugely overweight, and she paused to pinch two more of the gingersnaps Beverly set out. âI guess your hubby wants to spare you the vulgarities. âThe French, they are a funny raceâthey fight with their feet and fuck with their face.â The story going round had Del Murdock in the Pioneer Bar reciting this little ditty one night shortly after Mrs. Sidey died overseas. Del speculated out loud that maybe Mrs. Sidey had gone back over there to get some of that French fucking. Folks think news of this little incident found its way back to Calvin Sidey, and thatâs why he was waiting for Del when he pulled up to his house that night.â
âThatâs a ghastly explanation! Do you believe it?â
âI donât believe it,â said May. âBut I donât
not
believe it.â
âAccording to that story, Calvin Sidey left Gladstone so he couldnât be arrested . . .â
May took two more cookies and put them both in her mouth. âYep. Though it seems to me if they had any kind of case at all they could arrest him out on the prairie as easy as on Fourth Street. Of course, theyâd have to catch him first and out there that might not be so easy. But gone he is, thatâs sure, and I donât think he plans to come back.â
But now Calvin Sidey has returned to Fourth Street and with suitcase in hand. Beverly supposes she should wave and call out, Remember your old neighbor? Then she might ask him if heâs coming back for good. Or for ill . . . But the July sun supplies all the heat Beverly Lodge can handle. She doesnât need the blue flame of that old manâs gaze turned on her as well.
SEVEN
Bill Sidey slaps on the light that illuminates the basement stairs and calls out over his shoulder, âDad? Iâll show you what Iâve set up for you down here.â
Toting his fatherâs suitcase, Bill starts down the stairs, the hollow thump of his fatherâs boots following him. With each step the men take, the temperature drops a few degrees until, at bottom, theyâve escaped the dayâs heat entirely.
Nightfall is hours away, but the unfinished basement, with its gray concrete walls and floor, its untreated studs and joists, its encroaching clutter, is so dark Bill has to turn on another light, this one an old floor lamp he has placed next to the bed. The lamp shade has yellowed with age and gives the bulb a dim, autumnal cast. Thereâs enough illumination, however, for Bill to see again how dismal are the surroundings in which heâs housing his father.
Bill sets the suitcase on the bed, and as he does, he notices how many tufts are missing from the old chenille bedspread. He points to a dresser he has positioned in the middle of the room in an attempt to partition off a sleeping area from the rest of the basement. âThe top two drawers are empty, and if those arenât enough, Iâll clear out others. And I know thatâs not much of a closet,â he says, indicating the wire hangers hung on nails pounded into two-Âby-Âfour studs, âbut you can hang a few things over there.â
Calvin looks around the basement. âWhere did the bed come from? You bring it down from upstairs? I told you, I didnât want to turn anyone out of their bed.â
Bill shakes his head. âIt came from a rental. A house weâre trying to rent furnished, but since no one has looked at the place since January, I donât believe itâll matter that the bed isnât in
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