it.
Iâll say one thing for Max. Heâs cool. He stood up and walked over until he was facing her.
âYou want out?â
But Chrissie is ice herself when she wants to be.
âYou want me out?â
For a moment they faced each other, then they both burst out laughing. He put a hand on each shoulder and looked straight into her eyes.
âAs if!â Then he let go and took a step backwards. âLook, there may be a grain of truth in â¦â At the look on her face he paused. âOkay, youâve got me. The UN you are. But maybe itâs not quite as cynical as it first appears.â
He paused again, but Chrissie wasnât going to make it easy for him.
âYou were saying?â
âI was saying ⦠Iâm not denying thereâs a marketing aspect, but ââ
âA marketing aspect! So now weâre a frigging hula-hoop!â She was having fun, but the serious edge was still there.
âIt is part of the image, Chriss. Itâs an image industry. But that doesnât mean there canât be a positive side to it all.â
âIâm listening.â
âThe message. What does it say to kids who see you up there on stage? Tolerance, cooperation. Itâs not âus and themâ, itâs just a universal us. Itâs got to be better than some Rap band preaching death, destruction and discrimination. Instead of representing what is, we can show them what could be.â
Chrissie was softening, but she wasnât quite ready to give up a good fight.
â âWe are the worldâ. Very sweet! And we get to feel good all the way to the bank.â
âAll the way to the bank. Look, Chriss, itâs my project. My deal. I want it to succeed. Of course I do. But Iâm not a complete sell-out. Not yet, at least. Maybe we can do it without destroying too much along the way.â
Finally Chrissie sat down.
âOkay. Benefit of the doubt. But it really wasnât about the race thing. Hell, weâre all in it for the money.â She looked at the two of us and winked. âAnd for the art, of course. I just wanted to clear the air. Itâs about honesty, Max. Tell me the truth, and we can discuss just about anything. Screw with me, and I walk. I mean it.â
âWhat, turn your back on âfame and fortuneâ?â Tim jumped in to lighten things.
âJust watch me!â
She answered Tim, but she was looking into Maxâs eyes.
Sitting where I was, I could see what he saw, and I knew she meant every word.
Still, in the end it wasnât Max who found our heartbeat anyway. It was me. And a large chunk of blind luck. Not that Max minded all that much. He couldnât have made a more perfect choice, even if heâd sat down and worked it all out on a spreadsheet â¦
MARCO
Five oâclock.
He assembles the thin metal tripod and curses silently to himself. Damned trackworks. Twenty minutes waiting between stations. Enough of a delay to lose the chance at any of the good spots.
Tucked into the comer between the station entrance and the newsstand, he has barely enough room to move his arms. He looks at the sky. Rain coming. The rush-hour is on already, and he isnât even set up.
A fat man in a business suit pushes past and his brief-case catches the leg of the tripod that now holds a pair of old bongo-drums â the only real instrument among his whole collection of noise-makers. A reflex shoots out his right hand in time to catch them before they fall under the feet of the jostling crowd.
Old Sam leans across the counter of the news-stand, and cranes his neck around the corner.
âLate this afternoon, kid?â
Sam is a master of the obvious. The boy nods.
âTrain was delayed.â
âLooks like youâre stuck with me, then.â
âCould be worse.â
He smiles. The old man likes him and he knows it. His performance slows down the rush at times, so that someone
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