enough,â he says.
âYouâre a cop.â
âDetective,â he says. âNorman Weed, middle name Quincy for some reason. My mother was coy on the subject.â
âI never got a look at the shooter,â I say. âHe was over the wall by the time I turned around.â
âYeah. People are either staring at the gun or diving for cover. Your boss says he saw the guyâs face but didnât recognize him. A stranger, he says.â
âAnyone else get hurt?â
âOne guy got dinged in the leg by a ricochet. Not serious. Heâll be dancing again in a week.â
âAny leads?â
âYeah, well, thatâs the thing, isnât it? Whoever it was, he was there to shoot your boss, but your boss isnât very forthcoming.â
âAbout?â
âAbout why someone would be gunning for him.â
âI donât think he was expecting anything that serious.â
âBecause?â
âHe just wanted someone to watch his back.â
âBecause?â
âDidnât say. I asked him what he was worried about, just so Iâd have some idea what to look for, and he said heâd had a phone call.â
âThatâs it?â
âThatâs it. I assumed it was a threat of some kind but he wasnât specific.â
âMysterious guy.â
âWish I could help you. First time anybody took a shot at me.â
âFive shots. Three of them drew blood.â
âSuit was too good for me anyway.â
He stands up and puts my empty juice box back on the tray. âHereâs my card if anything comes to mind.â
âAll right.â
âNice talking to you.â
âYou know Manny Bigalow?â I ask him.
âWhoâs he?â
âSells suits,â I say. âHe told me never to wear bright blue. It doesnât go with anything.â
âYeah, well, I have my own sense of style,â says Norman Quincy Weed.
Leo is coming out of the interview room. Heâs not the same man I saw doing the tango with the classy divorcée last night. Heâs running low on vital juices, folding inside himself, not as tall.
Leo and Weed donât shake hands.
âSorry for your loss,â Weed says to Leo.
âShe was just the best person,â Leo says.
Pazzano is standing in the background, watching us. Mooney is already at his desk, transcribing notes, making phone calls.
I take Leoâs arm and start to move him toward the exit. I can feel his shoulders shaking.
Margo Traynor is waiting to escort us to the Ambassador Suite. She has Leoâs messages collated according to import and substance, all neatly clipped together. âNothing that canât wait,â she says. âAnd Iâd be happy to attend to any responses you donât want to make personally.â
âEither of my sons call?â
âNo, sir. They may not have heard. Would you like me to get in touch with them?â
âIt can wait.â Leo has a look around the suite, his home away from home. âThey did a passable job with the decor, donât you think?â He checks out the bedrooms, the new fixtures in the master bath, doesnât appear impressed. âFifty million doesnât buy a lot these days,â he says wearily.
Margo says, âThe police have assured me they will be finished with the ⦠finished with your floor by this afternoon, sir.â
âI canât go back up there,â he says. âNot for a while.â
âOf course. But weâll be able to collect anything you might need and have it brought down here.â
âJoseph can do that,â he says. âIâll give him a list. I want him to check things out.â
âIn the meantime,â Margo says, âAnything else you might need â¦â
âThank you, Ms. Traynor,â Leo says. âMay I say that Iâm grateful you handled this yourself. I donât think I
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