Bones to Ashes by Kathy Reichs Page B

dunes. Dark curls dancing wild in the wind.
    “The basilar suture is unfused. There are no wisdom teeth, and the second molars show minimal wear.”
    I exchanged the skull for an innominate.
    “Each hemi-pelvis starts out as three separate bones: ilium, ischium, and pubis. Union takes place around the time of puberty.” I indicated a faint Y trisecting the hip socket. “See that line? Fusion was just wrapping up when she died. Given the teeth, the long bones, and the pelvis, I’d estimate she was around thirteen or fourteen.”
    Évangéline Landry, eyes closed, hands clasped, blowing out candles. There were fourteen on the cake.
    “And the pelvis shows female?”
    “Yes.”
    “Was she white?”
    “Race is going to be tough since the face is smashed and the palate is history, including the incisors.”
    I picked up the skull. And felt a flicker of relief.
    “The nasal aperture is wide and rounded. Its bottom edge is broken, but it looks like the nasal spine was small. Those are non-European traits. I’ll know better when I’ve cleaned out the dirt.”
    “Why does her head look so”—Lisa floated a palm, searching for the English—“odd?”
    “In adolescence, the cranial sutures are still wide open.” I referred to the squiggly gaps between the individual skull bones. “Following brain decomposition, with pressure, the bones can warp, separate, or overlap.”
    “Pressure, as in burial?”
    “Yes. Although skull distortion can result from other factors, expo sure to sunlight, for example, or to extremes of heat and cold. The phenomenon is very common with children.”
    “There’s so much dirt. Do you think she was buried?”
    I was about to answer when the desk phone shrilled.
    “Can you check the box for anything we might have missed?”
    “Sure.”
    “How’s it hanging, doc?” Hippo Gallant.
    I skipped pleasantries. “Your buddy Gaston’s skeleton arrived from Rimouski.”
    “Yeah?”
    “My preliminary exam suggests it’s an adolescent female.”
    “
Indian?”
    “There’s a good chance her racial background is mixed.”
    “So it ain’t all that ancient?”
    “The bones are dry and devoid of odor and flesh, so I doubt death occurred in the last ten years. Right now that’s about all I can say. She needs a lot of cleaning and it will have to be done by hand.”
    “
Crétaque.
She got teeth?”
    “Some. But there’s no dental work.”
    “You going to do DNA?”
    “I’ll retain samples, but if no organic components remain, sequencing will be impossible. There’s soil deep in crevices and in the medullary cavities, suggesting burial at some point. Frankly, I suspect the coroner up in Rimouski may be right. The remains may have washed out of an old cemetery or been looted from an archaeological site.”
    “How about carbon fourteen or some fancy gizmo?”
    “Except for a few specialized applications, C14 dating isn’t useful on materials less than hundreds of years old. Besides, if I report that this girl’s been dead half a century, the powers that be won’t pony up for DNA, radiocarbon, or any other type of test.”
    “Think you’ll be able to sort it?”
    “I’m going to try.”
    “How ’bout I talk with the mope that had her. Get his story.”
    “That would be good.”
    Replacing the receiver, I returned to Lisa.
    “Why does that one look different?” She pointed to the second right metacarpal.
    Lisa was right. Though dirt-encrusted, one finger bone seemed to be a misfit.
    Brushing free what soil I could without causing damage, I placed the odd metacarpal under my fabulous new scope, increased magnification, and adjusted focus until the distal end filled the screen.
    My brows rose in surprise.
     
8
     
    T HE BONE’S OUTER SURFACE WAS A MOONSCAPE OF CRATERS.
    “What is that?” Lisa asked.
    “I’m not sure.” My mind was already rifling through possibilities. Contact with acid or some other caustic chemical? Microorganism? Localized infection? Systemic disease