tasting a bite. After a few minutes I toss the empty bowl into the sink. âDone.â
âYour eagerness is astounding,â he says in an amused tone. âNow, grab my arm and close your eyes.â
I glance down at my bare arms and legs. âWait, I canât go out like this. I need to put more clothes on.â He should know the risks better than anyone, and Iâm not going on this outing if it means someone could get hurt.
âNo oneâs going to see you where weâre going.â He extends his arm. âTrust me. Grab on. Close your eyes.â
I grab my cell off the counter and slip it into my pocket, moving forward and taking hold of his sinewy forearm. The muscles bunch up slightly under my hand, and I hear his quick intake of breath. I glance at his faceâhis eyes are closed, mouth slightly parted. My heart gives an odd flutter as I take in his unusually open expression. Is heâ¦
Donât be ridiculous . This is Sitri. Heâs the reason I canât touch or kiss anyone. Someone who cares about me would never curse me like this. And yet, here he is, looking like my touch is affecting him. I donât remember ever seeing this expression on his face.
Before I can change my mind, I close my eyes.
A sick twist hits my stomach as the light goes black around me. I swallow hard, find myself drawing closer to Sitriâs side. Then the disorientation fades. I peek an eye open, step away from himâweâre outside, in some sort of a large, well-groomed garden behind a massive building. The heady caress of early eveningâs damp air warms my naked skin instantly, coating me in a thin layer of sweat.
Not being covered from head to toe feels oddâoddly freeing.
â Voila ,â he says, waving a hand broadly around him. âThe sculpture garden at the New Orleans Museum of Art. I was bored, wandering around the city, and discovered this fascinating little gem.â
I turn in a slow circle and take in the sights around me. There are sculptures scattered throughout the grounds. My breath catches in my throat from surprise. âThis isnât what I expected.â
He steps closer, looks down at me with one eyebrow raised. âWhat did you expect?â
âI donât know.â I shrug. âSomethingâ¦â Something inappropriate or offensive. But I canât seem to make myself finish the sentence. For some reason I donât want to offend him. âWait, where is everyone?â I glance at the time on my cell. âItâs almost six.â
âThe place closes at five,â he says quietly. âItâs all ours. And technically weâre invisible, so no one can see or hear us.â
The cautious wariness gives way to a thread of excitement. I stroll up the nearby path and take in the rich outdoor scents.
Sitri grabs my hand. âYou have to check this one out. Itâs crazy.â
Iâm so surprised by the eagerness in his voice that I let him drag me along beside him. He stops right in front of a sculpture of an enormous safety pin. I have to crane my head up to see the top point, which extends well above us.
âUm, thatâs fascinating,â I say, eyeing him as he strolls in a large circle around the pinâs perimeter.
âThis piece speaks to me,â he says, rubbing his chin. He steps forward to stroke a hand along the slick metal. âIt shows how societyâs oppression causes a slow bleed in democracy.â
âReally?â
He chuckles. âYeah, sure, why not? Come on, letâs see what else is in here.â
An answering chuckle slips out of me before I can guard against it. Sitriâs throwing me off-guard with this change. Iâve never seen his face, his persona so relaxed before. Is this a new tactic? Is he trying to loosen me up for some darker reason?
What does he want from me?
He must see the change in my attitude because the light dims a bit from his eyes
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