their hands. With their expensive cars and their big houses and their beautiful clothes and their terrible, spoiled children. The people who own the streets underneath the bars the girls work in and the rooms they sleep in when they’re finished screwing tourists. And then sell them the drugs for AIDS.” She slaps the cup down, loudly enough to straighten his spine. “You know. The people who have run everything forever.”
They are seated opposite each other at the counter that divides the kitchen from the living room. The brilliance of the new day spills into the room behind Rose, catching flyaway locks of her hair and exploding what seems like a hundred colors out of the long fall of black that stretches to the dimples at the base of her spine. He leans across and touches her wrist.
“He drives them crazy.” She turns her hand palm up and wraps her fingers around his. “He’s dirt, up from some pigshit village, and he rubs their noses in it every day of the year. He shoved his way in here, with his awful skin and his burned hands and his one low shoulder, and grabbed a place at the dinner table without being invited, and then he pushed all their plates and glasses onto the floor, and spit on them. And then he bought everything they owned, two or three of everything, and covered them with gold just to make them uglier. And he takes the most beautiful women in the country, the ones they all want, and drags them behind him like a parade.”
“What’s the point?”
Rose shakes her head. “To prove that someone like him can have everything they have, everything that makes them special, and then shit on it. That someone can get rich without pretending to be one of them or trying to hide where he came from. The richer he gets, the cruder he gets. It scares them. They think he does it on purpose, just to build his personal power base.”
Power: the word Arthit had used. “Does what? Act like a pig?”
She turns the cup in the saucer, just doing something while she thinks. “That’s one side of it. But then he also gives money away like old newspaper. He sets up what he calls ‘banks’ up north. But they’re not really banks. Real banks lend money at interest and take away houses and things. H is banks make small loans, maybe three or fourhundred dollars, to poor people who have an idea for a business. If the business works, they pay back a little more than they borrowed. If the business fails, they don’t owe him anything. There are weaving villages now, woodcarving villages, silver-jewelry villages. There are men who own three or four trucks that they rent to farmers whenever they’re needed.”
“Why does that upset anyone?”
She dips her index finger into her cup and flicks coffee at him. “You’re supposed to understand this country. You wrote a book about it, remember?”
“I’ve never claimed to understand it. That’s why I married you.”
She pushes the coffee aside. “It upsets people because poor people are supposed to stay poor. They’re not supposed to have papers that say they own their land. They’re not supposed to have money in the bank so they can stockpile their harvests until the prices go up. They’re not supposed to do anything except live and die, and get fucked over in between. Grow the rice and sell it for nothing. Clear the land so some godfather can kick them off it and build ugly, expensive houses. Go where they’re told and stay where they’re put. Present themselves for sacrifice on a regular basis so the rich can stay fat.”
“And Pan is rocking the boat?”
“Sure. Rich people steal from the poor and pretend they’re giving. And here he is: He was poor, he still behaves like a peasant, and he’s really giving. He’s built two hospitals in Isaan, not big hospitals but good ones, and he pays doctors to work there, to take care of people who have never seen a doctor in their lives.” She stands and goes to the sink. He looks at the day heating up through
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