appreciate Wagner or the Magic Flute and he didn’t own any books about magic, or many books at all.
‘He gave away most of his old books when we moved here,’ said Phillip. ‘And he said his Kindle was much handier for the commute to London. Now I resent all the hours he spent on that train. But he loved his home here and he wouldn’t give up his job.’
Not that Phillip could understand why. ‘I know he didn’t get anything in the way of job satisfaction,’ he said. Phillip could have certainly used him in his own company, which arranged finance for high-tech start-ups. ‘He hated working in London, said he hated the city and I begged him to quit for like five years, but he wouldn’t.’
‘Did he say why?’ I asked.
‘No,’ said Phillip. ‘He always changed the subject.’
Up till then I’d been doodling, but now I started taking notes. Keeping a secret always makes the police suspicious. And while we’re willing to believe in the possibility of a totally innocent explanation, we never think that’s the way to bet.
I asked whether there was any aspect of Richard’s work as a town planner that he’d talked about more than others, but Phillip hadn’t noticed. Nor had Richard complained about incidents of corruption or coming under any pressure to influence a planning decision one way or the other.
‘And whatever it was keeping him there,’ said Phillip, ‘he was obviously over it, because he told me that he was quitting.’ He looked away from me and fumbled for his tea cup to cover his tears.
The mother bustled back in, saw the tears and gave me a poisonous look. I worked my way quickly through the last of the questionnaire, offered my condolences once more, and left.
Something fishy and possibly supernatural had happened to Richard Lewis but since he obviously wasn’t a practitioner I couldn’t think what his connection with the excitingly terminal world of modern magic might be. When I got back to the Folly I wrote it up and filed the requisite two reports. The thinking in police work with this sort of non-lead is that either some other completely different line of inquiry will prove unexpectedly connected or you will never find out what the fuck was going on.
My gut instinct was that we were never going to find out why Richard Lewis threw himself under a train – which just goes to show why you should never trust your gut.
4
Complex and Unspecific Matters
A fter car-related incidents, burglary and theft are the most common crimes which MOPs, that’s members of the public to you, are subject to. It’s also the one they moan about the most, mainly because they know that the clear-up rate for burglary is low.
‘I don’t know why you bother writing this down,’ they say as they exaggerate the value of their goods for insurance purposes. ‘It’s not like you’re going to catch them, is it?’ To which we have no answer – because they’re right. We’re not going to catch them for that particular burglary, but we often catch them later and then get some of your stuff back – the stuff that’s now been replaced by better stuff from the insurance. Most of the recovered goods are junk but some of it attracts the eagle eye of the Arts and Antiques Squad who grab it, photograph it and put it on a database called, with the Met’s unerring ear for a euphonious acronym, LSAD – the London Stolen Art Directory.
They keep saying that they’re going to make it searchable by the public but I wouldn’t hold my breath. It is possible for it to be searched by a police officer, if he can persuade his line manager to push for his OCU to be granted access via their terminals. Not an easy thing to do, when the line manager in question is hazy on the concept of databases, internet searches and indeed the very notion of a ‘line manager’. I’d gained access just after the New Year and now made checking new arrivals part of my morning routine. ‘Anything to avoid real work,’ was
‘He gave away most of his old books when we moved here,’ said Phillip. ‘And he said his Kindle was much handier for the commute to London. Now I resent all the hours he spent on that train. But he loved his home here and he wouldn’t give up his job.’
Not that Phillip could understand why. ‘I know he didn’t get anything in the way of job satisfaction,’ he said. Phillip could have certainly used him in his own company, which arranged finance for high-tech start-ups. ‘He hated working in London, said he hated the city and I begged him to quit for like five years, but he wouldn’t.’
‘Did he say why?’ I asked.
‘No,’ said Phillip. ‘He always changed the subject.’
Up till then I’d been doodling, but now I started taking notes. Keeping a secret always makes the police suspicious. And while we’re willing to believe in the possibility of a totally innocent explanation, we never think that’s the way to bet.
I asked whether there was any aspect of Richard’s work as a town planner that he’d talked about more than others, but Phillip hadn’t noticed. Nor had Richard complained about incidents of corruption or coming under any pressure to influence a planning decision one way or the other.
‘And whatever it was keeping him there,’ said Phillip, ‘he was obviously over it, because he told me that he was quitting.’ He looked away from me and fumbled for his tea cup to cover his tears.
The mother bustled back in, saw the tears and gave me a poisonous look. I worked my way quickly through the last of the questionnaire, offered my condolences once more, and left.
Something fishy and possibly supernatural had happened to Richard Lewis but since he obviously wasn’t a practitioner I couldn’t think what his connection with the excitingly terminal world of modern magic might be. When I got back to the Folly I wrote it up and filed the requisite two reports. The thinking in police work with this sort of non-lead is that either some other completely different line of inquiry will prove unexpectedly connected or you will never find out what the fuck was going on.
My gut instinct was that we were never going to find out why Richard Lewis threw himself under a train – which just goes to show why you should never trust your gut.
4
Complex and Unspecific Matters
A fter car-related incidents, burglary and theft are the most common crimes which MOPs, that’s members of the public to you, are subject to. It’s also the one they moan about the most, mainly because they know that the clear-up rate for burglary is low.
‘I don’t know why you bother writing this down,’ they say as they exaggerate the value of their goods for insurance purposes. ‘It’s not like you’re going to catch them, is it?’ To which we have no answer – because they’re right. We’re not going to catch them for that particular burglary, but we often catch them later and then get some of your stuff back – the stuff that’s now been replaced by better stuff from the insurance. Most of the recovered goods are junk but some of it attracts the eagle eye of the Arts and Antiques Squad who grab it, photograph it and put it on a database called, with the Met’s unerring ear for a euphonious acronym, LSAD – the London Stolen Art Directory.
They keep saying that they’re going to make it searchable by the public but I wouldn’t hold my breath. It is possible for it to be searched by a police officer, if he can persuade his line manager to push for his OCU to be granted access via their terminals. Not an easy thing to do, when the line manager in question is hazy on the concept of databases, internet searches and indeed the very notion of a ‘line manager’. I’d gained access just after the New Year and now made checking new arrivals part of my morning routine. ‘Anything to avoid real work,’ was
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