out, and violà, start shooting. The bellyband didn't work well under most formals, because you had yards of cloth to raise before you could get to the gun. It was better than nothing, but only if the bad guy was patient. But this dress, all I had to do was put my hand up through one of the slits. I had to pull the gun out, down, and out from under the dress, so it still wasn't speedy, but it wasn't bad. The bellyband also did not work with an especially form-fitting dress. Nobody gains weight in the shape of a gun.
I'd actually found a strapless bra that matched the black panties, so once I took off the gun and dress, I was wearing lingerie. The shoes were higher heels than I'd normally accept, but it was either that or hem the dress. Since I refuse to sew, heels it was.
The one major drawback to the spaghetti straps was that it showed off all my scars. I'd thought about buying a little cover-up jacket, but this wasn't a dress that was meant for a jacket. So screw it. Jean-Claude had seen the scars before, and the few people rude enough to give second glances could have an eyeful.
I was getting pretty good at makeup, eye shadow, blusher, lipstick. The lipstick was red -- very, very red. But I had the coloring for it. Pale skin, black curly hair, pure brown eyes. I was all contrasts and strong colors the bright red lipstick matched. I was feeling pretty spiffy until I got a glimpse of Jean-Claude.
He was sitting at the table, waiting for me. I could see him from the entryway, though the maitre d' was two people ahead of me. I didn't mind. I enjoyed the view.
Jean-Claude's hair is black and curly, but he'd done something to it so it was straight and fine, falling past his shoulders, curled under at the ends. His face seemed even more delicate, like fine porcelain. He was beautiful, not handsome. I wasn't sure what saved his face from being feminine -- some line of his cheek, bend of his jaw, something. You would never mistake him for anything other than male. He was dressed in royal blue, a color I'd never seen him in. A short jacket of a shining, almost metallic cloth was overlaid with black lace in a pattern of flowers. The shirt was his typical frilled, à la 1600's shirt, but it was a rich, vibrant blue, down to the mound of ruffles that climbed up his neck to frame his face and spill out the sleeves of the jacket to cover the upper half of his slender white hands.
He held an empty wineglass in his hand, spinning the stem of the glass between his fingers, watching the light spill through the crystal. He couldn't drink wine more than a sip at a time and mourned it.
The maitre d' led me through the tables towards him. He looked up, and seeing his face full-on made my chest tight, and it was suddenly hard to breathe. The blue so close to his face made his eyes bluer than I'd ever seen them, not the color of midnight skies, but cobalt blue, the color of a good sapphire. But no jewel ever had that weight of intelligence, of dark knowledge. The look in his eyes as he watched me walk towards him made me shiver. Not cold, not fear. Anticipation.
In the heels, and with the slits on both sides of the dress, there was an art to walking. You had to sort of throw yourself into it, a sling-back, slouching, hip-swinging walk, or the dress wrapped around your legs and the heels twisted at your ankles. You had to walk like you knew you could wear it and look wonderful. If you doubted yourself, hesitated, you'd fall to the floor and turn into a pumpkin. After years of my not being able to wear heels and dress clothes, Jean-Claude had taught me in a month what my stepmother couldn't teach me in twenty years.
He stood, and I didn't mind, though once upon a time I'd pissed off a prom date by standing every time that he did for the other girls at the table. One, I'd mellowed since then; two, I could see the rest of Jean-Claude's outfit.
The pants were black linen, clinging smooth and perfect to his body, so form fitting that I knew
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