By Blood Written by Steven Womack Page A

him!” Joan ordered.
    “But who is he?” Taylor asked.
    “Shiffman, Pittman, Sheffield, Schmetering, something or other … Hell, I don’t know, just handle it!” Then Joan slammed the phone down.
    “But I don’t even know who—” Taylor protested to the now silent phone.
    Asking herself if any of this was worth it, Taylor had buzzed the receptionist and at least gotten the writer’s accurate name, then asked that she hold him off for a couple of minutes while she cleared a place for him to sit.
    Five minutes later, Taylor walked out into the reception area and introduced herself to a man about her age and several inches taller, wearing khaki pants and a worn corduroy jacket. He needed a shave and a haircut, and the briefcase under his arm was scuffed leather with tarnished hardware.
    He looked nervous and, Taylor thought, a bit like a frustrated graduate student. There was something about him, though, that Taylor found almost boyish. She invited him back to her office, where she apologized for inconveniencing him and explained that Ms. Delaney had suddenly been tied up in conference and would be unable to see him today.
    “But how can I help you?” Taylor asked in as polite and professional a tone as she could muster.
    For a moment, he sat there staring at her, his dark eyes darting shyly around the room. Taylor found herself wondering how old he was. Finally, he spoke. And as he began his story, Taylor found herself curiously yet cautiously drawn to him, as if somehow an element of fate or destiny had brought them together.
    Michael Schiftmann explained to her that he had already published five novels in five years, all of them paperback mysteries. He went on to explain that as an unpublished writer, he had been turned down by every agent he’d queried with the exception of a man who operated out of his home in Lexington, Kentucky. That agent, as it turned out, was a dis-barred lawyer and former concert promoter whose wife was supporting the two of them by working at the local Kmart.
    The agent had sold his first novel to the paperback imprint division of a major New York trade house for an advance of thirty-five hundred dollars. At the time, after nearly ten years of collecting rejection slips, Michael Schiftmann had been thrilled to finally break into print. His first novel was well-received and reviewed, even winning a nomination for a mystery award. Michael thought that finally his career was on its way.
    But then the offer for his next book came back and he was shocked to find that with all the good reviews and the prize nomination, his first novel had failed to sell out its first printing. Michael’s editor explained that the best he could do was offer another thirty-five hundred.
    Shock turning to disappointment, Michael took his agent’s advice and accepted the offer. Over the next four years or so, he went back to contract three more times, for a total of five published books. His latest book had sold for an advance of five thousand dollars. When Michael went back to contract for a sixth book, he told his agent he wanted a hardcover deal and at least a ten-thousand-dollar advance. The agent had laughed over the phone. When the agent came back with an offer of six thousand dollars, still mass-market paperback, Michael fired him on the spot and caught the next bus to Manhattan. Now he was staying in a midtown hotel that ca-tered to budget travelers, eating at hot-dog stands and kiosks, and making the rounds of literary agents all over town.
    “So how many have you seen?” Taylor asked.
    “You’re the third one today,” he admitted, “and the seven-teenth agent I’ve talked to since I got to town a week ago.”
    “Any takers?” Taylor asked.
    Michael’s face softened. Relaxed now after telling his story, he smiled at her. He had beautiful teeth, she noticed, and a charming smile. “Not so far,” he admitted.
    He reached into his briefcase and pulled out a stack of paper, a partial manuscript