Circles on the Water

Circles on the Water by Marge Piercy Page B

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Authors: Marge Piercy
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you speak up?
    Why are you shouting?
    You have the wrong answer,
    wrong line, wrong face.
    They tell her she is womb-man,
    babymachine, mirror image, toy,
    earth mother and penis-poor,
    a dish of synthetic strawberry icecream
    rapidly melting.
    She grunts to a halt.
    She must learn again to speak
    starting with I
    starting with We
    starting as the infant does
    with her own true hunger
    and pleasure
    and rage.

Women’s laughter
1.
    When did I first become aware—
    hearing myself on the radio?
    listening to tapes of women in groups?—
    of that diffident laugh that punctuates,
    that giggle that apologizes,
    that bows fixing parentheses before, after.
    That little laugh sticking
    in the throat like a chicken bone.
    That perfunctory dry laugh
    carries no mirth, no joy
    but makes a low curtsy, a kowtow
    imploring with praying hands:
    forgive me, for I do not
    take myself seriously.
    Do not squash me.
2.
    My friend, on the deck we sit
    telling horror stories
    from the
Marvel Comics
of our lives.
    We exchange agonies, battles and after each
    we laugh madly and embrace.
    That raucous female laughter
    is drummed from the belly.
    It rackets about kitchens,
    flapping crows
    up from a carcass.
    Hot in the mouth as horseradish,
    it clears the sinuses
    and the brain.
3.
    Years ago I had a friend
    who used to laugh with me
    braying defiance, as we roar
    with bared teeth.
    After the locked ward
    where they dimmed her with drugs
    and exploded her synapses,
    she has now that cough
    fluttering in her throat
    like a crippled pigeon
    as she says, but of course
    I was sick, you know,
    and laughs blood.

Burying blues for Janis
    Your voice always whacked me right on the funny bone
    of the great-hearted suffering bitch fantasy
    that ruled me like a huge copper moon with its phases
    until I could, partially, break free.
    How could I help but cherish you for my bad dreams?
    Your voice would grate right on the marrow-filled bone
    that cooks up that rich stew of masochism where we swim,
    that woman is born to suffer, mistreated and cheated.
    We are trained to that hothouse of ripe pain.
    Never do we feel so alive, so in character
    as when we’re walking the floor with the all-night blues.
    When some man not being there who’s better gone
    becomes a lack that swells up to a gaseous balloon
    and flattens from us all thinking and sensing and purpose.
    Oh, the downtrodden juicy longdrawn female blues:
    you throbbed up there with your face slightly swollen
    and your barbed hair flying energized and poured it out,
    the blast of a furnace of which the whole life is the fuel.
    You embodied that good done-in mama who gives and gives
    like a fountain of boozy chicken soup to a rat race of men.
    You embodied the pain hugged to the breasts like a baby.
    You embodied the beautiful blowzy gum of passivity,
    woman on her back to the world endlessly hopelessly raggedly
    offering a brave front to be fucked.
    That willingness to hang on the meathook and call it love,
    that need for loving like a screaming hollow in the soul,
    that’s the drug that hangs us and drags us down
    deadly as the icy sleet of skag that froze your blood.

The best defense is offensive
    The turkey vulture,
    a shy bird ungainly on the ground
    but massively graceful in flight,
    responds to attack
    uniquely.
    Men have contempt for this scavenger
    because he eats without killing.
    When an enemy attacks,
    the turkey vulture vomits:
    the shock and disgust of the predator
    are usually sufficient
    to effect his escape.
    He loses only his dinner,
    easily replaced.
    All day I have been thinking
    how to adapt
    this method of resistance.
    Sometimes only the stark
    will to disgust
    prevents our being consumed:
    there are clearly times
    when we must make a stink
    to survive.

Icon
    In the chapel where I could praise
    that is just being built,
    the light bleeding through one window blazons
    a profiled centaur whose colors mellow the sun.
    See her there: hoofs braced into the loam,
    banner tail streaming,

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