enough, according to some of the neighbors.â
Miranda nodded. Shoved the napkin aside and stood up.
âThanks, Rick. I mean it.â
He pushed himself up from the narrow bench, juke crooning Millerâs version of âStardust.â One of the secretaries from the police pool was draped all over a big Irish cop, eyes closed, moving to the music. His callused hands, freckled, rough, held her like a piece of blown glass.
Rick stared into Mirandaâs eyes. âBe careful, Randy.â
She flinched. Said briefly: âI always am,â and walked out through the doors of the Last Chance Saloon, ancient wood and hinges creaking, swinging into the night.
*Â Â Â *Â Â Â *
The cop at the turnstiles was too busy helping a stooped old lady and her middle-aged daughter in baggy tweed. Didnât know the dark-haired ticket taker by name, but he smiled and waved her through, and she pushed forward quickly, heading for the Gayway.
Loud applause erupted from the Cavalcade building, drowning the fragments of swing from the Dance Pavilion and the thin, reedy calliope beckoning children to the rides.
The sawdust underneath her feet felt almost as welcome as the faces that creased in recognition, patting her arm, Midget Charlie taking off his hat, bowing low, single leftover from the Village last year and now working for Ripley.
She headed straight for Artists and Models. No beat cop outside. Found Fred but not Tom.
His smile was hesitant. âIâm sure glad to see you, Miz Corbie. Tom ainât here, though.â Swallowed hard, wiped his face with his arm. âThey hurt him kinda bad.â
âIâm here to help himâto help Pandora. Are there any girls who knew her better than others? Anyone I could talk to?â
âIâI think Lucinda mighta known her some. I seen âem talkinâ together before. The girlsâ hours was always gettinâ moved around, dependinâ on which girls Mr. Schwartz liked best.â
âHe like Pandora?â
Fred nodded. ââSwhy she opened. He liked her a lot.â
Max Schwartz was a flesh impresario that liked to preview the merchandise and buy what he could on the side. He owned and operated most of the shows that Sally didnât ⦠Artists and Models, Candid Camera, Greenwich Village. She flipped open the notebook in her purse, took out the thick pencil and scrawled âSchwartzâ on the page. Looked back up at the large man in front of her, his head bent forward in an effort to understand.
âDoes Lucinda work tonight? Itâs ten oâclock,â she added.
He scratched his ear. âAround midnight, maybe. Last showâs at one forty-five, right before the Gayway closes.â
âCan I go back to the dressing room, see if sheâs there?â
âSure, Miz Corbie.â
He led her through a small tunnel backstage, with a green room right off the platform where the girls waited before draping themselves in a not overly tasteful tableau.
Two more doors on the left. He knocked. Female voice answered, raspy and bored.
âYeah?â
He opened it a crack. Another bleached blonde, about thirty-eight, dressed in a cheap purple rayon robe and sitting at a Worldâs Fair souvenir card table, playing solitaire. A younger brunette sat on a stool in front of a three-light-bulb mirror, rubbing Pan-Cake on her cheeks and face. They both looked from Fred to Miranda. The blondeâs expression was wary. She stood up.
âWhat is it? Whaddya want?â
Fred muttered. âWe was lookinâ for Lucinda. This hereâs Miranda Corbie. She used to work for Sally âcross the wayâsheâs a lady detective.â
The blonde picked up a pack of Camels lying beside the worn cards, shook one out, and lit it with a match. Blew smoke out the side of her face toward the brunette, who stared at Miranda.
âLucindaâs out stuffinâ her face with a burger.
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