officers and men alike seized by some loathsome mass madness. The sounds to which they “listened” so intently must be the figment of some malady of the mind. But, there, in the clammy mists of the lost, slime-coated island, he suddenly knew that the voices were very real.
They were not ordinary sounds. They were soft, cloying cadences that caught and held consciousness in a spider-web of evil beauty. They seemed uttered by countless alien tongues echoing across a vast and fearful chasm, and yet, as Heath stumbled on in search of them, he would have sworn that their source must be, there, just the other side of that next slimy knoll. He did not think of why he must find them; he only knew that this vile harmony had suddenly become very clear and understandable in his mind. “Come away!” the voices chanted, with the sound of myriad Gehennan lutes. “Come away to your bride, Zoth Syra! Come away... away... to the Queen of the Green Abyss....”
“I staggered blindly onward,” Heath wrote in his diary. (The words themselves staggered crazily across the water-ruined pages, a mute reflection of the precipitous, hellish compulsion of his quest for the voices.) “I knew not where I was going, nor why. I fell time and again; my hands and knees bled with scrambling among the slippery, treacherous rocks. I came to the beach. Somehow the fog there seemed to lift, growing less dense, and I found myself on the brink of the ocean. I knew I must stop, or drown, but my legs continued to pump with piston-like persistence. The voices were nearer, now; they held a malevolent beauty more compelling than the sounds that echo through narcotic dreams. Panic-stricken, I felt the icy water rising about my body, and still I kept moving out to sea. Brine swelled about my chest. The voices chanted mad cacophonies in my ears; wild, discordant, irresistible. The water reached my neck, my mouth... and then, my head was covered....
“And, now the maddest thing of all. Submerged, I continued to walk, to breathe, slowly, easily, not through nose or mouth, but through a pair of gills in my throat! I strode onward through the swirling, opalescent depths, ever toward the howling, evilly-joyful singing... toward my bride, Zoth Syra!”
Between these frenzied, staggering words and the next and final entry, there is a gap of several blank, brine-yellowed pages. But for this, one might have guessed through desperate wishful thinking, that the final episodes of that hideous record were dreamed of whole cloth—the fanatical ravings of a mind lost beyond rescue. No such guess can be hazarded when you have seen that last entry. It is dated almost twenty years later, in Kalesmouth. The writing is spidery and precise; the words have the cold, terrifying ring of unquestionable, blasphemous truth. Lazarus Heath set down those final sentences with a calm, almost grim determination. The very bareness of the clipped emotionless style he used has a numbing quality. God knows I would rather have died than believe this unholy tale, but there was no choice.
*
Even after twenty years, Heath could only hint at the monstrous dream which followed his descent into what he called “The Empire of the Green Abyss.” His tight, controlled words whisper of a world unknown to mortals, a submarine, slime-choked empire of strange geometrical dimensions, a city whose architecture was somehow “all wrong.” Entering it, Lazarus Heath was seized with an unutterable nausea, a repulsion that made him want to return, to go back somehow, and die as normal men would in such circumstances. But, he went on. In some inexplicable manner, he had become a part of this world of loathsome watery putrescence. He became one with the creatures who were the subjects of Zoth Syra, Empress of the Abyss.
Obviously, the pen faltered, the words would not come, but lay stagnant, and unspeakable, in Heath’s mind when he tried to “describe” these creatures. He could no more draw a picture of
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