posture snagged his attention. When something within Dwayne's area of responsibility was wrong, out of alignment, not exactly where or how it should be, he'd always spot it right away, and in this moment he could see that something about Tom Carmody was well and truly bent out of shape. The discouraged slope of those shoulders, the defensive clench of that ass, the fatalistic half-grip of those dangling hands as he made his way across the great open space; if they'd been back in the Marines together, Dwayne would know those signals could only mean one thing. A fellow bent on desertion.
But desertion? Here? If that were it, if Tom Carmody were merely planning to quit this livelihood and take his miserable long face somewhere else, Dwayne Thorsen would do nothing but cheer him on his way. Help him pack. But Tom wasn't leaving, not willingly, Dwayne was sure of that much. And here, in William Archibald's crusade, what would be the equivalent of desertion?
Dwayne followed Carmody into the dressing rooms, and came upon him hanging up his angel robe on a hook on the wall of the small and simple doorless cubicle he'd been assigned. His makeup tubes were already laid out on the narrow white Formica shelf in front of the mirror. His jacket was tossed on the floor in the corner; another bad sign. Dwayne said, "How you doing, Tom?"
Carmody jumped, guilt all over his face and in his every move. Guilt about what? Had the son of a bitch already found his reporter? Was he in here wired? Was he walking around with camera and tape recorder to expose the villainy of the William Archibald crusade? Dwayne considered, for just an instant, having Carmody searched, right here, right now, but realized at once and reluctantly what a mistake that would be if it turned out he'd jumped the gun, if Carmody were still merely gearing up for his betrayal, whatever form that betrayal would take.
The son of a bitch can't even look me in the eye, Dwayne thought, as Carmody said, "Oh, hi, Dwayne," and busied himself with an unnecessarily long search in his canvas tote bag for his clothesbrush.
Dwayne stood in the cubicle doorway and watched Carmody brush the robe, too hard and too long. Unconsciously echoing the counselors who would be at work in nearby cubicles in just a few hours, he said, "Anything you want to talk about, Tom?"
"What? No, Dwayne, everything's fine!"
Scared eyes, weak mouth, defensive hunch of shoulders. Oh, you'll bear watching, my lad, Dwayne thought. "Well, if you get troubled about anything, Tom," he said, doing his damnedest to put some warmth into his voice and failing even more than he knew, "I want you to think of me as somebody you can count on, somebody you can trust. A friend." He choked on the word, but got it out pretty smoothly, all in all.
A panicky smile played like summer lightning over Carmody's ashen sweating face. "I appreciate that, Dwayne," he said. "Thank you for— Thank you for worrying about me."
"Oh, I worry about everybody," Dwayne told him, with his own ghastly smile. "You know me."
"I sure do, Dwayne," Carmody said.
Dwayne nodded, and turned away. I wish I could send the son of a bitch on night patrol, he thought, and shoot him.
4
Zack sat behind the wheel of the maroon Honda Accord, Woody beside him, Ralph in back. In the parking lot at the Seven Oaks Professional Building—three law firms, three dentists, one interior decorator, one office for rent—diagonally across from the Midway Motel, they remained in the positions they'd held since they'd driven away from Memphis. There was nothing to do now but wait.
Ralph leaned his forearms on top of the front seat, so he could be part of the conversation. If you could call it a conversation; Zack said almost nothing, and Woody kept babbling on and on about nothing at all, as though silence were something to be feared, like a fatal disease. As he babbled, they all kept looking at the station wagon parked across the way at the motel, in front of room 16.
Kim Curran
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Tom Holt