ladies were afraid of damp, and dirt, and had only very unbecoming calashes to put on over their caps; so they declined, and I was again his companion in a turn which he said he was obliged to take to see after his men. He strode along, either wholly forgetting my existence, or soothed into silence by his pipe—and yet it was not silence exactly. He walked before me with a stooping gait, his hands clasped behind him; and, as some tree or cloud, or glimpse of distant upland pastures, struck him, he quoted poetry to himself, saying it out loud in a grand sonorous voice, with just the emphasis that true feeling and appreciation give. We came upon an old cedar tree, which stood at one end of the house—
"The cedar spreads his dark-green layers of shade."
"Capital term—'layers!' Wonderful man!" I did not know whether he was speaking to me or not; but I put in an assenting "wonderful," although I knew nothing about it, just because I was tired of being forgotten, and of being consequently silent.
He turned sharp round. "Ay! you may say 'wonderful.' Why, when I saw the review of his poems in Blackwood, I set off within an hour, and walked seven miles to Misselton (for the horses were not in the way) and ordered them. Now, what colour are ash-buds in March?"
Is the man going mad? thought I. He is very like Don Quixote.
"What colour are they, I say?" repeated he vehemently.
"I am sure I don't know, sir," said I, with the meekness of ignorance.
"I knew you didn't. No more did I—an old fool that I am!—till this young man comes and tells me. Black as ash-buds in March. And I've lived all my life in the country; more shame for me not to know. Black: they are jet-black, madam." And he went off again, swinging along to the music of some rhyme he had got hold of.
When we came back, nothing would serve him but he must read us the poems he had been speaking of; and Miss Pole encouraged him in his proposal, I thought, because she wished me to hear his beautiful reading, of which she had boasted; but she afterwards said it was because she had got to a difficult part of her crochet, and wanted to count her stitches without having to talk. Whatever he had proposed would have been right to Miss Matty; although she did fall sound asleep within five minutes after he had begun a long poem, called "Locksley Hall," and had a comfortable nap, unobserved, till he ended; when the cessation of his voice wakened her up, and she said, feeling that something was expected, and that Miss Pole was counting—
"What a pretty book!"
"Pretty, madam! it's beautiful! Pretty, indeed!"
"Oh yes! I meant beautiful" said she, fluttered at his disapproval of her word. "It is so like that beautiful poem of Dr Johnson's my sister used to read—I forget the name of it; what was it, my dear?" turning to me.
"Which do you mean, ma'am? What was it about?"
"I don't remember what it was about, and I've quite forgotten what the name of it was; but it was written by Dr Johnson, and was very beautiful, and very like what Mr Holbrook has just been reading."
"I don't remember it," said he reflectively. "But I don't know Dr Johnson's poems well. I must read them."
As we were getting into the fly to return, I heard Mr Holbrook say he should call on the ladies soon, and inquire how they got home; and this evidently pleased and fluttered Miss Matty at the time he said it; but after we had lost sight of the old house among the trees her sentiments towards the master of it were gradually absorbed into a distressing wonder as to whether Martha had broken her word, and seized on the opportunity of her mistress's absence to have a "follower." Martha looked good, and steady, and composed enough, as she came to help us out; she was always careful of Miss Matty, and to-night she made use of this unlucky speech—
"Eh! dear ma'am, to think of your going out in an evening in such a thin shawl! It's no better than muslin. At your age, ma'am, you should be careful."
"My age!"
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