me.â
As we passed beneath a streetlamp, I saw a pained smile on the Frenchmanâs faceâor perhaps it was a wince. âIt was not easy. By the end of even the shortest game, I was stiff and aching all over. I donât know how I bore it as long as I did.â
âWhen did you begin?â
He gave me a look of mock exasperation. âYou ask many questions, Rufus.â
âNo one else will tell me anything.â
âI am astonished. I supposed that you would have long, heartfelt conversations with Jacques nearly every day.â
I laughed weakly. âNo. And I seldom see Maelzel.â
âHe gives far more attention to his machines than to his human workers. Now, what did you ask me? Ah, yes, when I took over the Turk.â Mulhouse sighed, as if it wearied him even to think about it. The sigh turned into a cough. He dug out his lozenges and let one soothe his throat as he spoke.
âPerhaps thirty years ago, Maelzel bought the machine from its inventor and restored it. It quickly became the main attraction in his exhibition of automata and dioramas. Around 1820, he brought his show to Paris. I was still young enough to think that it was my destiny to become the best chess player in Europe. The fact that dozens of others had played the Turk and lost did not worry me; I was confident that I could defeat a clockwork man.
âImagine my shame when he checkmated me in twelve moves. I knew there had to be a human player concealed inside; my pride would not let me think otherwise. But another six years passed before I found out for certain.
âA letter was delivered to me at the Café de la Régence, where I was the resident chess master. It was from Maelzel. He was touring America, he said, and he offered me a good deal of money to demonstrate the Turk for audiences in Boston and New York. It was not until after I arrived that he revealed the truth: I would be operating the Turk.â
âWhat happened to his usual operator?â I asked. The Frenchman didnât reply at once. When we passed beneath another gaslight, I saw that his expression had turned grim. âMonsieur Mulhouse?â
He coughed again, but it didnât seem due to an irritation so much as to nervousness or a reluctance to answer. At last he said, âWell, the fact is, no one quite knows what became of her.â
âHer?â
âA young woman named Mademoiselle Bouvierânot an expert player, I gather, but good enough for Maelzelâs purposes. He hired her in France and brought her to America with him. But shortly after they arrived, she disappeared.â
âShe quit, you mean?â
âNo. I mean she simply disappeared. No one has seen her since.â
âDid you ask Maelzel about her?â
âOf course.â
âAnd . . . ?â
âHe told me to mind my own business and to never mention the womanâs name again. I can think of only two reasons why he would despise her so much. One is that he made advances toward her, and she rejected him. The other is that she sold him out.â
âSold him out?â
âRevealed the Turkâs secret. To some rival, perhaps, or to a newspaper. If she did, nothing came of it. Still, I canât help wondering . . .â
âWhat?â
âWell, whether Maelzel had something to do with her disappearance.â
âYou mean . . . ?â I drew a hand across my throat.
âI donât know. All I know is that, when it comes to business matters, he can be ruthless.â
âBut surely not that ruthless.â
âTo be honest, I would put nothing past him. Or Jacques, for that matter. I donât know much about the fellow, and I donât care to, but in France there were rumors that he killed a man; some say it was the reason he fled to America.â
I shivered as I thought of Jacques waving that carving knife in my face.
âAre you cold?â
L. C. Morgan
Kristy Kiernan
David Farland
Lynn Viehl
Kimberly Elkins
MR. PINK-WHISTLE INTERFERES
Leigh Bale
Georgia Cates
Alastair Reynolds
Erich Segal