hadn’t), then got some plastic sheeting from the stockroom and tacked it over the broken window. It didn’t do anything to keep the cold out, but it blocked line of sight. With that done, I locked the door and hid the gun. The adrenaline rush of the battle had worn off, and I knew that if I did what my body was telling me and sat down, I’d go to pieces. Experience has taught me that the best way to get through postbattle shakes is to walk them off, so I went back upstairs.
The woman was sitting on my sofa with her knees together and her hands clasped, shivering slightly. She didn’t try to speak as I knelt over the construct and gave it a quick search. I came up empty, as expected; mages don’t send construct assassins out with identification. The wounds hadn’t bled or oozed. Most constructs are basically a big energy battery with a simple guidance program and this seemed to be one of the more basic types, an outer shape wrapped around a jellylike storage material. At a glance it looked similar to the ones I’d seen made at Richard’s mansion: a short-range design, without the intelligence or stamina to operate for long on its own. That suggested whoever had sent it was close by. The stiletto had been a one-shot designed to disperse a construct’s energy pattern. It had worked perfectly. I’d have to get another.
I was avoiding looking at the woman. I sat on the chair facing her and met her gaze.
It’s hard to describe just what made her so incrediblybeautiful. She had near-black hair, long and slightly wavy, falling down her back and framing a diamond-shaped face with slightly tanned skin and dark eyes. She was small, only a little over five feet, but with such perfect proportions that you wouldn’t realise it unless you stood right over her. She wore dark clothes that looked so simple that they had to be very expensive, and a single ring on her right hand. Somehow, though, neither her clothes nor her features seemed to matter—they were the adornments of a painting or a picture, not the real thing. What made her so captivating was something else, not so easily named: the way she moved, the glance of her eyes, the manner and sound and form. All I wanted to do was sit and gape. If I’d let myself fall into her eyes, I think an army of constructs could have battered down the door and I wouldn’t have noticed.
“What’s your name?” I said. I’d meant to say
Who are you?
but found myself changing my mind at the last second.
“Meredith.” She leant forward a little. “Thank you so much. You saved my life.” Her dark eyes shone with a hint of tears. “Without you I wouldn’t have had a chance.”
I felt my face burn and wanted to look away. A less polite but more vocal part of me spoke up with several suggestions as to how she could show how grateful she was. “Don’t worry about it. Where did that thing come from?”
Meredith shivered. “I don’t know! I was just—” She covered her face with her hands and started to cry.
Somehow I found myself on the sofa next to her, my arm around her shoulders, speaking quiet reassurances. Meredith hung onto my sleeve and kept crying. Gradually her tears ran dry and eventually she excused herself and vanished into the bathroom. She was gone for ten minutes and when she reappeared she looked a bit more composed. “I’m sorry, I didn’t mean to go to pieces. I’m not usually like this.”
“It’s okay, you just had a shock. I did a lot worse my first time.” Was that true? I couldn’t remember. “Feeling better?”
Meredith nodded. “Yes, thanks. I must look terrible.”
“Really, you don’t.”
Meredith returned to the sofa, sitting down naturally next to me. “I’m sorry for all this. I didn’t mean for this to happen. I was trying to find your shop and then that … that thing started chasing me.”
I glanced over at the construct’s body, still lying on the floor. Meredith followed my gaze. “I’ve never seen one before. I
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