home all night. She had the swamp to keep her company, and she never tired of watching the animals. Sometimes alligators would drift up close, haul themselves out on the mud next to the house and bask for a while. She would talk to them, and though she knew it was silly, sometimes she imagined that they were actually listening to her, understanding her.
Sometimes, if she had a little extra food, she’d toss one of the ’gators a bit of chicken, then watch as it contentedly crushed the bones and swallowed the whole thing.
But it was the sounds of the evening she liked best, and each day she looked forward to the setting sun, and the short minutes of quietude after the day creatures had gone to sleep but before the swamp’s nocturnalinhabitants had begun their own songs. Then the night music would begin, and Amelie would sit still, enjoying it, before picking up her endless mending.
Tonight, though, there was something different in the air, an expectant stillness that suggested that something was going to happen.
George must have felt it too, for he suddenly stepped out of the shanty’s door to stand beside her on the porch, his lifeless eyes peering out into the darkness. Amelie could feel the anger inside him, the anger that had almost made him slap her earlier, when she’d once more made him repeat his promise.
“He ain’t gettin’ my baby,” she’d said, her voice quavering as she spoke the words. “You ain’t givin’ him away like Tammy-Jo an’ Quint gave theirs!”
“You’re crazy,” George had told her a month ago, when the argument had begun. “You didn’t see nothin’ out there. That baby just died, Amelie. Ain’t nothin’ else happened to it at all!”
Then he’d told her she hadn’t seen anything out at the island at the far side of the swamp, that she must have dreamed the whole thing. And sometimes she’d half believed him, for when she went looking for the island, she wasn’t able to find it. But still she’d made him promise not to give her baby to the Dark Man.
“I cain’t promise nothin’,” he’d said at first. “Even if’n he’s real—an’ he ain’t—ain’t nothin’ I can do about him.”
“You promise,” Amelie had told him, her voice implacable. “You promise, or I’m gonna kill you myself. See if I don’t!”
And finally he promised. But ever since he’d made the promise—and she’d made him do it in front of Tammy-Jo, whose face had gone so pale Amelie had known right away she hadn’t dreamed anything at all—he’d been acting so scared, she’d almost been afraid he was going to run off and leave her alone.
And tonight, when she made him repeat the promise one more time, she thought he was going to hit her, justthe way her daddy always did when he accused her of being sassy. But he hadn’t. Instead he just nodded his head, as if afraid to say the words, and had not said anything else. Now, as he stood on the porch, she could feel his anger turning into fear.
“Someone be comin’,” he murmured.
Amelie frowned, her eyes scanning the darkness, her ears searching for the sound of a boat in the strange silence of the evening. Though she saw nothing, a sense of dread began to fill her soul, and she felt her skin crawling.
At last, from the depths of the darkness, a shadow even blacker than those surrounding it emerged from the night.
The shadow became a boat, rowed silently by Jonas Cox, a boy Amelie had known all his life. But in the prow, standing erect, was the tall figure of the Dark Man, clad in black, his face obscured by his black shroud, the cloth pierced only by the holes through which he gazed. Amelie’s breath caught in her throat, and she thought her heart might stop beating.
The boat drifted to a stop in front of the shanty. For several long minutes time seemed to stand still as the black figure gazed steadily at George Coulton. Finally the Dark Man’s right arm came up, his black-gloved finger pointing at George.
Saying
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