Dead Beat
stiffs that came in, and the day crew took them all."
    "Hmm."
    "Tell me about it. I got stuck with a wino and some poor bastard who got caught under a tractor and had to be tested for drugs and booze earlier tonight, but that's…" He paused. "Hello."
    "Hello?"
    " That's odd."
    That perked up my ears, metaphorically speaking. "What's odd?"
    "My boss, Dr. Brioche, passed over one of his subjects. It got moved to my docket, but I didn't get a memo about it. Not even an e-mail, the bastard."
    I frowned. "That happen a lot?"
    "Attempts to make it look like I'm neglecting my job so he can fire me?" Butters said. "That one's new, but it's in the spirit of my whole history here."
    "Maybe he was just busy today."
    "And maybe Liv Tyler is waiting in my bedroom to rub my feet," Butters responded.
    "Heh. Who's the stiff?"
    "A Mr. Eduardo Anthony Mendoza," Butters read. "He was in a head-on collision with a Buick on the expressway. Only he was a pedestrian." Butters scrunched up his nose. "Looks like it will be a nasty one. No wonder high-and-mighty Brioche didn't want to handle it."
    I mused. It wasn't what I was looking for, but there was something about the situation around that corpse that set off my internal alarm bells. "Mind if I ask you to indulge an intuition?"
    "Sure. I'm as polka empowered as I'm going to get, anyway. Lemme break out my gear and we'll take a look-see at the late Eddie Mendoza."
    "Cool," I said. I leaned against the wall and folded my arms, preparing to settle in for a while.
    The door to the examination room slammed open, and Phil the security guard walked in with a businesslike stride.
    Except Phil's throat had been slit open from ear to ear, and blood covered his upper body in a sheet of ugly splatters. His face was absolutely white. There was no chance whatsoever that poor Phil was alive.
    That didn't stop him from striding into the room, seizing Butters's desk, and throwing it, computer, heavy file cabinet, and all, into the far wall of the room, where it shattered with a thunderous sound of impact. Butters stared at Phil with horror, then let out a somewhat rabbitlike shriek and scurried back from him.
    "Don't move!" thundered a deep, resonant voice from the hallway outside. Dead Phil froze in his tracks. A big man in a khaki trench coat and, I swear to God, a dark fedora strode into the room, intent on Butters, and he didn't see me against the wall. I hesitated for a second, still shocked at the suddenness of it all. Three other men in coats, all grey of face and purposeful of motion, flanked him.
    "Don't hurt the little coroner, gentlemen," the man said. "We'll need him. For a little while."

Chapter Five
    The man in the fedora took a step toward Butters, drumming a slender book against his thigh with one hand. "Stand aside," he muttered, and dead Phil sidestepped.
    Butters had scrambled back into a corner, his eyes the size of glazed doughnuts behind his glasses. "Wow," he babbled. "Great entrance. Love the hat."
    The guy in the fedora took a step forward and reached out with his other hand, at which point I decided to act. A raised hand isn't much in the regular world, but from a guy in a long coat with his own flock of zombies it had to be at least as menacing as pointing a gun.
    "That will be enough," I said, and I said it loud enough to hurt ears. I stepped away from the wall with my left hand extended. My silver bracelet of heat-warped shields hung on my wrist, and I readied my will, pushing enough power into the bracelet to prepare a shield to leap up immediately. The bracelet was still pretty banged-up from the beating it had taken the last time I'd used it, and I'd only barely gotten it working again. As a result, it channeled the energy pretty sloppily, and blue-white sparks leaped out and fell to the floor in a steady drizzle. "Put your hand down and step away from the coroner."
    The man turned to face me, book thumping steadily against his leg. For a second I thought he was another dead man

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