the outside door opened.
There was a man there. For a moment, he seemed to block out the sun. Despite herself, Stephanie felt a sense of unease streak down her spine. It was as if he were there, a presence that all but swept away daylight. Then, he might have been a shadow, a trick of the light.
She blinked, and he was walking through the aisle of tables to reach them.
He was, beyond a doubt, a striking individual. Tallâsix-three, maybeâa shade shorter than Drew. His hair was very dark, and, as he drew closer, she saw that he had very unusual eyesâmaybe brown, or hazel, but a strange shade of such colors, seeming both yellow and red. His features were strong and classical. He definitely had a continental look, smooth and sleek, and wore jeans and a polo shirt as if he were in a tux. He smiled as he reached the table, swinging a leather backpack around and setting it on the table, ready to reach in for his copy of the âbibleâ and notes. âIâm really sorry. Transportation takes some doing these days. Iâm Clay Barton.â
They all just stared at him.
His smiled deepened. âClay Barton. Iâm expected. I was bounced off a plane yesterday. Iâm really sorryâI can see that youâve been working.â
Lena looked across the table at Stephanie. âType-casting, or what?â
âI hope not,â Clay said, grinning ever more deeply as he pulled up a chair. âMy character is supposed to be something of a braggart and a jerk.â
Stephanie reached out a hand to him at last. The touch of his fingers caused a jerk in her own. She tried to hide the feeling. âStephanie Cahill, and hi, Iâm your director. The rest of the cast . . . Drew Cunningham, our very tall redhead, Doug Wharton is there . . .â
Clay leaned forward, shaking hands around the table.
âDoug Wharton, not a redhead, and not quite so tall,â Doug introduced himself with a grin.
âSuzette Croix,â Suzette said, still staring.
âAnd this is Lena Miro,â Stephanie finished out.
âHi to all of you, and itâs a pleasure, and once again, Iâm sorry,â Clay said.
âItâs all rightâweâve been settling in, playing with ideas, and apparently, you had no choice,â Stephanie said. âBut we start on Friday night. We were working our last outline, so weâll go forward, and you can hop in when we work with the room and blocking once weâve finished with the read-throughs.â
âGreat,â he said, but then frowned. âThought it was a cast of six.â
âIt is. We have a missing member,â Doug explained.
âYou are perfect!â Lena breathed, speaking at last.
âA perfect jerk?â he inquired, eyes sparkling. âIâll try not to be.â He turned to Stephanie. âWhat do you mean, missing?â
âI mean, she hasnât shown up. I havenât met her, so Iâm not sure whether to worry or not,â Stephanie told him.
Doug snorted. âWorry about whether sheâs broken her contract or not. Seriously, while itâs still early in the game, we ought to get Arturo to check out her place. See if sheâs goneâhook, line, and sinker.â
Lena flashed a grimace at Stephanie. âWell, I donât like to say it, but . . . she wasnât impressed once she arrived.â
âWe can all take a walk over to meet her,â Clay suggested.
âWeâll finish the last outline,â Stephanie said, looking quickly at her clipboard. Strange, as soon as he spoke, sheâd felt oddly compelled to do whatever he said, no matter how simple. She was the director. She might have lost a cast member, but she wasnât losing control so quickly.
âThis is goodâwe have Clay now, and I just have to fill in for Gema. Letâs give it a go.â
An hour later, theyâd read through the outlines, and in just the afternoon, it seemed,
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