Dead Past by Beverly Connor Page B

must be mystified as to why the landlady sometimes packs a lunch for the ducks,” he said.
    Leslie grinned and looked embarrassed. Her aunt put an arm around her shoulder.
    “He probably just thinks the landlady is looking out after him,” she said.
    “That is a very kind thing to do,” said Diane.
    Leslie’s smile faded. “Diane is identifying some of the—you know.”
    “Oh . . . you do need a break, dear,” said Mrs. Bowden. “Why don’t you find a quiet corner to sit awhile and rest? Maybe with Dr. Pilgrim over there. We’ll bring you some fresh coffee when you want it.”
    “We have hot chocolate, too,” said Leslie. “And marshmallows.”
    “That would be nice,” said Diane.
    “We’ll bring you some when you finish your coffee,” said her aunt.
    Diane took a sip of coffee just as someone carrying a tray containing extra cups and paper plates came into the tent, almost running into her.
    “Sorry, oh, Dr. Fallon . . .”
    It was Juliet Price, one of Diane’s museum employees. Juliet stopped abruptly, almost spilling her load of supplies. Her blond hair came loose from its clip and fell in her face. She looked wide-eyed at Diane as if she’d been caught at something.
    “I . . . I took vacation time to help in the tent. . . .”
    “That’s very good of you, Dr. Price,” said Diane. “I appreciate what you’re doing here. It’s a big help.” Diane used Juliet’s title, hoping to make her feel less like a kid playing hooky from school.
    Juliet was extremely, pathologically, shy. She was actually underemployed at the museum, working below her qualifications, but her job allowed her to work by herself, and Juliet preferred working alone. She had even turned down a promotion when Diane offered her the more responsible position of collection manager. From the look of fear that had been on Juliet’s face at the prospect of the new job duties, Diane might just as well have told her the police were coming to arrest her.
    Working in the hospitality tent with all its face-to-face interaction was a bold step of courage for Juliet. As she carried her tray of supplies to the table she nodded, and Diane thought she saw a wisp of a smile from her. Well, at least that’s progress, thought Diane.
    As Diane started in Brewster Pilgrim’s direction with her steaming cup of coffee, someone laid a hand on her arm.
    “Did I hear someone say you are identifying the . . . the students in the house?” The woman looked at Diane with wide blue, red-rimmed eyes. Her honey blond hair was limp and simply combed back. She wore a running suit that Diane knew to be expensive and running shoes that cost at least two hundred dollars. A mother of one of the students, Diane knew immediately.
    “Yes.” Diane gave her a weak smile. She wished she could say, “No, I have nothing to do with this”—especially when looking into a parent’s sad eyes.
    The woman thrust a folder into Diane’s hands. “These are pictures of my daughter. Please tell me if you’ve seen her.” She opened the folder and all but shoved it into Diane’s face.
    “The police have a place set up over there”—Diane gestured toward the intake desk—“to bring pictures and . . .” She trailed off, not wanting to say samples of DNA. Nor did she want to say the truth—that no one was recognizable.
    Diane unconsciously backed up as she looked down at the picture of a beautiful young woman of fair complexion and long blond hair with a gentle wave held back from her face with a blue clip. An electric shock rippled through her and she tried not to let her face reveal anything. After all, there was no way to visually identify a person by a lock of hair . . . but it looked so much like the lock that had been on her table. Diane stepped back half a step. She was now up against the table.
    “They won’t tell me anything . . . please . . .”
    The woman flipped through the pictures of her daughter, showing them to Diane—confirmation, ballet, prom,