carriage. Everyone was grumbling because the dead man’s soul had already escaped. Senyor tried to calm them, told them not to worry, he wasn’t fully dead, his soul was still in his mouth. Senyor spoke slowly, in a soft voice, and while he was speaking he glanced about, never blinking. Some believed him because they wished to believe him; others didn’t. One said it would be better to tear down all the ivy, so they would never have to thrash ivy again. A few said if they pulled it all down, the village would be doomed because the ivy kept the summer cool. It swallowed the sun’s strongest rays, rays the naked rock could never absorb. Worse still, the rays would rebound onto the village, making it as hot as the blacksmith’s forge. Senyor kept telling them not to worry. He studied my face for a long time before climbing back into the carriage, where the dead man lay doubled up on the seat. The driver slammed the door with a dry bang, and the carriage pulled away. Bouncing over the round stones, it appeared to be on the verge of falling apart. The pregnant women had removed the bandages from their eyes, to look at Senyor when he descended from the carriage, and when their husbands realized this, they slapped them hard: first one cheek, then the other, one side, then the other. Slap after slap.
For a long time the village talked about the man who had fallen. He had plunged straight down, they said. The cane had slipped from his hand, tumbling down alone, slower than the man, until finally it lodged in the ivy. They talked until the first storm appeared. The horses neighed and tossed their heads, their eyes entranced, fixed, as if glued to a piece of wood. The river coursed by the village, laden with dead branches and leaves from Muntanyes Morades. My stepmother and I went to look at it. Powdery, star-shaped snow fell, and the water near the riverbanks froze. We tramped through snow that squeaked when it turned icy. We moulded mountains with the snow. One day we built a huge snow tree and bored holes in it; we looked at each other through the holes as though we were strangers, and then we laughed. The laugh rippled through the openings and crept into the spiral of our ears and continued for some time, before finally dying deep within our heads. During the snow season, we returned to the forest of the dead.
We came to a halt as soon as we entered: we had never seen it curded with snow. We had gone through the funeral entrance and stood there, holding hands, close to the axe and pitchfork. The trees were white, top to bottom. The trunks wore scabs of snow and ice that a dying ray of sunlight transformed into colors. From the highest branches hung glass twigs, glass stars and threads. The snow had turned to glass, glowing green and blue; a rose color filled our eyes until they almost died. We stayed until we sensed that we too were metamorphosing into trees. We could feel the frost-cold roots being born beneath our feet, growing, binding us to the ground. In the snow our feet were hard to lift; they felt lifeless. Before we crossed the bridge, we looked back, and all the forest was a forest of calm. From time to time snow tumbled from a branch, as though the branch had just taken a deep breath.
VII
Senyor’s grey, hoary house, blotched by damp, had two spans of snow on the roof. The snow fell thick and constant. At the approach of darkness, it was shoveled into piles in the middle of the streets. On windy nights shutters on the windows banged open and shut; the wind screeched and soughed, making everything seem alive. Perhaps that winter the river would carry away the village . . . but winter was ending and the river was now melted snow.
It was time to go in search of red powder. The wind on Maraldina was like no other. Unremitting, never sporadic, it was a weary wind, furious to be compelled to storm through the heather, endlessly. As we scaled the mountain, the wind would wrench shrubs out of the ground, tossing them in
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