pillows, and, two minutes later, was fast asleep.
The Everards, toadies to the company’s leading man, lived in unspeakable disarray in the crumbling terraced house down by the railway lines.
They were objects of curiosity to the rest of the street, who could not make them out. They did not seem to have jobs (the curtains were still sometimes drawn at midday), and would often not come flitting out with their expandable string shopping bags until well past teatime.
That they had little money seemed obvious. They never gave at the door and could occasionally be seen at five o’clock on market day scavenging behind the stalls with dainty precision, picking over the thrown-out fruits and vegetables. Various subtle and not-so-subtle attempts by the neighbors to get into the house had failed. They had not even managed to set foot on the tacky linoleum in the hall. And the windows were so thickly coated with grime that even when the tattered curtains were pulled aside, the mildewed interior of the house remained a mystery.
The sour patch of ground that passed for a back garden was overgrown with nettles and thistles and tall grass that occasionally swayed and rustled, disturbed by the passing of rodents. On the asphalt beneath the front bay window, their car slumped. This was a fifteen-year-old Volkswagen held together by spot welding and willpower, with a Guinness label where the tax disc should have been. Mrs. Griggs at the corner newsagent’s had reported them to the police over this, and the label had disappeared for a while but was now back again. The Everards, Mrs. Griggs was fond of saying, gave her the creeps. She couldn’t stand Clive’s front teeth, which looked very sharp and protruded slightly, or Donald’s blinking and squinting. She called them Ratty and Moley, although never in their presence.
They were rarely seen apart, and if they were, a certain dimness about the single Everard was noticeable. It was as if only by close physical proximity could the spark be struck that enabled them to shine with their full malevolent wattage. They seemed to feed off each other; wax fat on spiteful prediction and exchange. Nothing gave the brothers more happiness than the intense discomfiture of their fellow men, although they would never have been honest enough to say so. For hypocrisy was their middle name. Nobody could have been more surprised than they when someone took a remark amiss. Or when a plot or a plan resulted in the collapse of frail parties and distress all around. Who would have thought it? they would cry, and would retire to their appalling kitchen to plot and plan some more.
Passers by number 13 Axon Street would stare at the gray windows and mutter and raise their eyebrows. Or tap their foreheads. The question “What are they up to?” was not infrequently posed. Answers ranged pleasurably over a wide spectrum of subversive activities, from the stealthy printing of underground literature to the making of bombs for the IRA. They were all quite wide of the mark. The beam of the Everards’ malice, though powerful, was a narrow one, and if they could make just a little mayhem within the immediate circle of their acquaintances, they were quite content.
Rehearsals
The theater was perfectly situated in the very center of Causton, at the corner of the main thoroughfare. Actually it turned the corner, having originally been the last shop (a baker’s) on the High Street and the first, (haberdashery and sewing-machine repairs) on Carradine Road. Both shops went back a long way (the bread had been baked on the premises), and they each had several poky rooms above. Having the strong support of the then-mayor Latimer, the Causton Amateur Dramatic Society leased the two buildings and, with the aid of a grant from the council, the proceeds from various fund-raising activities, and a modest amount of professional help had gutted them both and transformed the shell.
They had built a stage with a plain proscenium
Aiden James, Patrick Burdine
Olsen J. Nelson
Thomas M. Reid
Jenni James
Carolyn Faulkner
David Stuckler Sanjay Basu
Anne Mather
Miranda Kenneally
Kate Sherwood
Ben H. Winters