know a policemanâs pay.â
âDid she have time to solve murders, too?â
âShe barely had time to clean the house, and I was no help, with my hoursâah, I see what youâre getting at. I do realize youâre busy. And I understand you have a young daughter.â
âMore like frantic, and sheâs fifteen, and Iâm raising her myself. Between home and office and freeway, I barely have time to read submissions. Which is a big part of my job, but thereâs no time for that during working hours. And I know this is going to sound incredibly cruel, but Iâve barely given poor Gloria a thought since I last saw you yesterday.â Charlie pushed her plate away and reached for her coffee. Neither she nor Libby ate breakfast at home, and this was the first cup of the day. She sniffed the warm pleasure of it and took a gulp, continuing before he could interrupt her. âRight now you are concentrating on Gloria and those murders assigned to you. Do you have time to worry about or concentrate much on those assigned to other detectives?â
Heâd hardly begun on his omelet, and now he paused to break and butter a muffin. âYou are a very persuasive young lady.â
âThatâs my job, too.â She looked pointedly at her watch.
âYouâre overlooking something important.â He took a bite of the muffin and spent forever chewing it. âMurder takes precedence.â
âLieutenant, I really have to get on the phone to New York soon. Iâve already lost a day. This Alpine Tunnel thing could well be a megadeal here.â
âYes,â he said dubiously and cut another piece out of his omelet, âis this something to do with Switzerland or skiing?â
â Phantom of the Alpine Tunnel , the novel.â
âNever heard of it.â
âYou must have. It was on the New York Times best-seller list for twenty-eight straight weeks. Of course that was a few years ago, butââ
âUnlike murder, fame is fleeting,â he mused and continued enjoying his food, his movements precise, unhurried. âYouâre not the only one who seems untouched by the receptionistâs sudden absence.â
âBut we all are, donât you see? That place is a madhouse without someone on the phones and filtering traffic through the front door and the fax ⦠a hundred things. Clients will have seen about it on the news and be calling in worried that their business is not being seen to, that weâre so preoccupied by the murder that opportunities are being overlooked and it will affect their careers. Actors are paranoid, and so are writers. I just hope Irma came in today to take charge.â
âGloria Tuschmanâs death, then, is an inconvenience rather than a grief?â
âI feel sorry for her. Nobody wants to be dead.â
âBut you didnât like her. I have the feeling no one did. Why?â
This man was not going to be manipulated, hurried, or put off. Charlie might just as well bite the bullet and consider Gloria. âShe grated on people. I never felt comfortable around her, and I doubt the others at the agency did, either. But she was very good at what she did, and I donât think Richard realizes how hard sheâs going to be to replace.â
âHow did she grate on you? What was it she did that made you uncomfortable?â When Charlie just shrugged, he added, âMiss Greene, consider this a business breakfast. Time worth spending. Because it is, you know. Murderâs a nasty business but every bit as exciting as show business ifââ
âCanât you talk about anything but murder?â
âItâs not going to go away, and neither am I. So, why did Gloria Tuschman make you uncomfortable?â
âI honestly canât put my finger on it. You can probably tell I love my job. Itâs exciting and wonderful and I wouldnât be anywhere else for the world.
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