friendship that is not (Byron) a bird “without his wings” but a fowl less fleeting than love, with its high passionate flight and its low carnal passion. María Egipciaca was part of my childhood landscape. She fed me and had the peculiarity of offering me the spoon accompanied by incomplete proverbs, as if she were waiting for the Holy Spirit of Homilies to descend and illuminate my childish brain:
“No matter how early you wake up …”
“If you eat and sing …”
“Let it rain, let it rain …”
“A closed mouth …”
“An old woman died …”
I believe that whatever the real identity of María Egipciaca, for her, mine was that of perpetual infancy. As a little boy I didn’t dare ask her Who are you? since I had adjusted, in the gloomy solitude of this greenish house, to
where
I was though I didn’t know
who
I was. The fact is she never called me “son,” and if she said it by accident, it was in the way someone says “listen,” “boy,” or “kid.” I was an asterisk in the daily vocabulary of the woman who took care of me without ever explaining or clarifying her relationship to me. I didn’t feel worried, I was used to it, I nullified any question about María Egipciaca’s status and was sent to the public school on Calzada de la Piedad, where I made some friends—not many—whom I never invited to my house, and I was never invited to theirs. I suppose I had a forbidding aura, I was “strange,” what others intuitively know about—a family, a home—did not stand behind me. I was, in fact, the orphan who, like the mailman, comes and goes punctually, without provoking a response to what would later, in secondary school, be my watchword: my large nose, or as Jericó, the friend who came to fill all the loneliness of my childhood, would say, “You don’t have a big nose. Your nose is long and thin, not big. Don’t let that bunch of bastards get to you.”
Since the nose is the advance guard of the face and goes before the body, announcing the other features, I began to smell that something was changing in my relationship to María Egipciaca when, fatally,she discovered my shorts stiff with semen in the hamper. My alarming first ejaculation was involuntary, as I was glancing casually at an American magazine at the stand on the corner, which I acquired with embarrassment and leafed through with excitement. I thought I was sick (until on subsequent occasions alarm was transformed into pleasure) and didn’t know what to do with my dirty underwear except toss it in the hamper as naturally as I tossed in shirts and socks, and with the certainty that the laundress who came to the house once a week was not very concerned about finding signs of one kind of filth or another in underwear: that’s why it was “under.”
What I didn’t know is that before handing it over to the laundress, María Egipciaca carefully went over each item. She didn’t have to say anything to me. Her attitude changed and I couldn’t attribute the change to anything but my stained shorts. I imagined that a mother, without any need to refer to the fact, would have come to me affectionately and said something like “My little boy is a man now” or some similar foolishness, would never have referred to the concrete fact, much less with a desire to punish. That’s how I knew María Egipciaca was not my mother.
“Pig. Dirty pig,” she said with her most sour face. “You make me ashamed.”
From that moment on, my jailer, for I could no longer view her any other way, did not stop attacking me, isolating me, cornering me, and eventually arming me with total indifference in the face of the expert fire of her censure.
“What are you going to do with your life?”
“What are you preparing for?”
“What goals do you have in mind?”
“If only you were more practical.”
“Do you think I’m going to take care of you forever?”
“What do you want all those books for?”
This culminated in a nervous
Roxanne St. Claire
Brittney Cohen-Schlesinger
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