later.â
âAnd then thereâs this big fight with chainsaws with this psychotic rogue cop -â
âHeâs a robot, too.â
âAnd then we have the big chase sequence and thatâs basically it. Thatâs it, isnât it, guys?â
The other two nodded. âExcept for the bit where she spends three years working with disadvantaged Puerto Rican kids in the barrios of LA, of course,â the skinny man
added. âBut thatâs really still at the concept stage right now. Weâre working on that.â
The girl frowned slightly. âThatâs it, is it?â she asked.
âYeah,â replied the bald man. âPlus, of course, she gets killed in the first ten minutes, so all this is her coming back as a ghost.â
âWeâve already got Connery for God,â added the freckled man. âHim or Streisand. Or both.â
âBoth,â interjected the skinny man, âand why not Newman as well? Goddammit, the guyâs meant to be a trinity, why not really go for it?â
The girl considered, and stood up. âNo, thank you,â she said. âGood afternoon.â
âWe were thinking of calling it Space Trek 9: The Search For -What did you say?â
âI said,â said the girl, âno, thank you. Goodbye.â
The bald man stood up, and then collapsed back into his chair. âHey,â he said weakly. âI donât remember even offering you the goddamn part.â
âThat was just as well, then, wasnât it?â said the girl. âThank you for your time.â
âHey, wait a minute . . .â
Half an hour later, the girl left the office. In her bag she had a signed contract, and a cheque, and the star role in what was now to be called A Thousand And One Dalmatians II: The Search for Spot .
Three hundred yards down the street, she stopped, looked carefully around and turned himself back into a man. Well, a genie. Genies, as noted above, have a certain leeway in matters of morphology.
Some of them also have a certain amount of low cunning.
Kiss stood back to admire his handiwork, and saw that it was good. Well, he thought it was good, anyhow. And, since he was a genie and gifted with supernatural good taste in aesthetic matters (not that he ever used it if he could possibly help it; his personal preference when it came to interior decor was plaster ducks and little straw donkeys with âA Present From Marbellaâ written on them) he knew that he was right. These matters are, however, essentially subjective . . .
âNo,â Jane sighed, âitâs still not right. God should be older.â
Kiss sighed, and squeezed a big dollop of white on to his palette. âYouâre making,â he said, âa big mistake, I hope you realise that. Generations yet unborn will curse you for this.â
âOlder,â she said. âAnd more cuddly. Do it.â
Kiss winced, and assumed painting position: flat on his back, hovering eighteen inches from the ceiling. Overhead, the greatest artistic masterpiece ever, the fresco God Creating Adam And Eve glowed in a scintillating melange of colour. He soaked a rag in white spirit, and dissolved God.
âFine,â he snarled. âWhy donât I just wipe the whole damned lot and do the ceiling over in woodchip and white emulsion?â
âIâm the one whoâs got to live with it,â Jane replied evenly. âAll I said was, would you help me with decorating the new flat. You were the one who thought itâd look nice with paintings . . .â
âOr perhaps,â Kiss went on, âyouâd prefer cuddly rabbits and kittens and adorable little puppy-dogs with ribbons round their necks. If so, just say the word. I mean, your wish is my -â
âIf you say that just once more,â Jane told him, âI shall scream.â
Offended, Kiss painted in silence for a while. Under his brush, the splodgy void
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