but here one could imagine strange things: as for instance a movement for a children’s crusade might break out; a St. Vitus’s dance; some wandering lunatic with communistic visions, preaching a bonfire of the vanities; miracles of the Cross, fantastic and mystical folk-movements-things like these, one felt, might easily come to pass. Of course they did not—how should they? The police, acting in agreement with the times and the regulations, would not have allowed them. And yet what all in our time have the police not allowed—again in agreement with the times, which might readily, by degrees, allow just such things to happen again now? Our time itself tends, secretly—or rather anything but secretly; indeed, quite consciously, with a strangely complacent consciousness, which makes one doubt the genuineness and simplicity of life itself and which may perhaps evoke an entirely false, unblest historicity—it tends, I say, to return to those earlier epochs; it enthusiastically re-enacts symbolic deeds of sinister significance, deeds that strike in the face the spirit of the modern age, such, for instance, as the burning of the books and other things of which I prefer not to speak.
The stamp of old-world, underground neurosis which I have been describing, the mark and psychological temper of such a town, betrays itself in Kaisersaschern by the many “originals,” eccentrics, and harmlessly half-mad folk who live within its walls and, like the old buildings, belong to the picture. The pendant to them is formed by the children, the “young ‘uns,” who pursue the poor creatures, mock them, and then in superstitious panic run away. A certain sort of “old woman” used always in certain epochs without more ado to be suspected of witchcraft, simply because she looked “queer,” though her appearance may well have been, in the first place, nothing but the result of the suspicion against her, which then gradually justified itself till it resembled the popular fancy: small, grey, bent, with a spiteful face, rheumy eyes, hooked nose, thin lips, a threatening crook. Probably she owned cats, an owl, a talking bird. Kaisersaschern harboured more than one such specimen; the most popular, most teased and feared was Cellar-Lise, so called because she lived in a basement in Little Brassfounder’s Alley—an old woman whose figure had so assimilated itself to popular prejudice that even the most unaffected could feel an archaic shudder at meeting her, especially when the children were after her and she was putting them to flight by spitting curses. Of course, quite definitely there was nothing wrong with her at all.
Here let me be bold enough to express an opinion born of the experiences of our own time. To a friend of enlightenment the word and conception “the folk” has always something anachronistic and alarming about it; he knows that you need only tell a crowd they are “the folk” to stir them up to all sorts of reactionary evil. What all has not happened before our eyes—or just not quite before our eyes—in the name of “the folk,” though it could never have happened in the name of God or humanity or the law! But it is the fact that actually the folk remain the folk, at least in a certain stratum of its being, the archaic; and people from Little Brassfounder’s Alley and round about, people who voted the Social-Democratic ticket at the polls, are at the same time capable of seeing something daemonic in the poverty of a little old woman who cannot afford a lodging above-ground. They will clutch their children to them when she approaches, to save them from the evil eye. And if such an old soul should have to burn again today, by no means an impossible prospect, were even a few things different, “the folk” would stand and gape behind the barriers erected by the Mayor, but they would probably not rebel.—I speak of the folk; but this old, folkish layer survives in us all, and to speak as I really think, I do
Julie Blair
Natalie Hancock
Julie Campbell
Tim Curran
Noel Hynd
Mia Marlowe
Marié Heese
Homecoming
Alina Man
Alton Gansky