Out of the count for the while if not for good.
So Driver whipped a quick U and floored it, heading back toward lights, traffic, civilization.
Aggressors are like cats: they’ll instinctively follow if you run. And that can give you the edge.
In the rearview he watched the lights of the lead car come around, watched them move in fast. Man had himself a good ride under that bland Chevy hood. Driver could hear the throatiness of the engine going full-out as it approached.
Been a long time since he’d done this, and he had to wonder if it would be there when he needed it. The instincts were good, but. And buts are what do you in.
The wall just ahead, he recalled from before. Earth color, like most everything else out here, with a sketchy lizard or cactus panel every few yards, the whole thing maybe 200 feet in length. Basically a sound baffle, houses, a small community, packed in beyond.
A median strip separated the lanes. There was fencing, but there were also gaps left for police, service vehicles and such. At the next gap, Driver turned hard, crossed the median and, with gravel spitting behind him, plunged into oncoming traffic. Not a lot of cars, but still dodgy. And horns aplenty. In the rearview mirror he saw his pursuer take down a stretch of fencing as he followed.
The wall, a couple of feet of packed ground, a low curb. If he could get the speed up, hit the curb just right…
Like that first gig back at the studio.
Driver cut left, coming in as straight as he could to the curb, then at the last moment hauled the wheels hard to the right. His head banged against the car’s roof as he struck the curb—and he was up . The left wheels came back down, and came down rough, but on the wall, with the Ford running along at a fifty-degree tilt.
Then, as the Chevy closed in, Driver swung right again, bouncing back onto the highway and running full-tilt toward him. You haven’t quite registered what’s going on, you see a car rocketing toward you, you react. The Caprice slewed to the median, careened off the fencing and back onto the road, clipping a battered passenger car with its front end, a bright, new-looking van with its tail, as it spun.
Then everything got still, the way it does just before reload, and Driver was listening, listening for the sounds to start up. Slammed doors. Screams. Sirens.
He’d brought the Ford to a stop with a one-eighty down the road quite a ways, and now he looked back at the pile-up as though well apart from it all, an observer just come upon the scene. There would be injured. And very soon there would be police. Police and cameras and questions.
Driver closed his eyes to focus on heart rate and breathing, slow long intake. Battlefield breathing: five in, hold five, five out. As he opened his eyes, a black van was pulling in behind him. The driver stayed inside. The passenger got out, held up his hands palm outward, grew slowly larger in the rearview mirror as he approached. Grey suit, thirtyish, short-cut hair, walk and bearing suggesting military, athlete, both.
Driver rolled down his window.
The man kept his distance. “Mr. Beil says hello.”
“He was having me followed?”
“Actually, we were watching them.” He nodded toward the Chevy. “That one, and his friend you left up the road.” He looked off a moment to the west. Moments later, Driver heard the sirens. “Cell phones. Never give you much time these days. Leave now. We’ve got it.”
“People in the other cars could be seriously injured.”
“We’ll do this. Check them all, get those who need it to the hospital and make sure they get the best care, talk to them, eyewitness the cops. When we clean, we clean everything.” His smile was the width of a line of light showing under a snugly fit door. “It’s a package deal.” The man nodded. The nod was about the same girth as the smile. “You’ll be wanting to give Mr. Beil a call, first chance you get.”
— • —
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