Empire of the Sun by J. G. Ballard Page B

and felt fingers grip his forearm. Inside his leather jacket he had drawn a knife, and was about to sever Jim’s hand at the wrist.
    Jim wrenched his arm away. Before the youth could seize him again, Jim hurled the wicker basket from the knees of the peasant woman on his right. The youth fell back, flailing with his heels at the squawking bird. The women jumped to their feet and began to scream at him. He ignored them and put away his knife. He followed as Jim ran through the queues of tram passengers, trying to show them his bruised wrist.
    A hundred yards from the depot Jim reached the Avenue Joffre. He rested in the padlocked entrance to the Nanking Theatre, where Gone with the Wind had been playing for the past year in a pirated Chinese version. The partly dismantled faces of Clark Gable and Vivien Leigh rose on their scaffolding above an almost life-size replica of burning Atlanta. Chinese carpenters were cutting down the panels of painted smoke that rose high into the Shanghai sky, barely distinguishable from the fires still lifting above the tenements of the Old City, where Kuomintang irregulars had resisted the Japanese invasion.
    The youth with the knife was still behind him, skipping and side-stepping through the crowd in his cheap sneakers. In the centre of the Avenue Joffre was the police checkpoint, its sandbagged emplacement marking the western perimeter of the French Concession. Jim knew that neither the Vichy police nor the Japanese soldiers would do anything to help him. They were watching a single-engined bomber that flew low above the racecourse.
    As the plane’s shadow flashed across the road Jim felt the Chinese youth snatch his cap and grip his shoulders. Jim pulled himself away, and ran across the crowded street towards the checkpoint, ducking in and out of the pedicabs and shouting: ‘Nakajima…! Nakajima…!’
    A Chinese auxiliary in a Vichy uniform tried to strike him with his stave, but one of the Japanese sentries paused to glance at Jim. His eye had caught the Japanese characters on the metal tag that Jim had taken from the derelict fighter at Hungjao Aerodrome and was now holding in front of him. Briefly tolerating this small boy, he continued his patrol and waved him away with the butt of his rifle.
    ‘Nakajima…!’
    Jim joined the crowd of pedestrians moving through the checkpoint. As he guessed, his pursuer had vanished among the beggars and loitering rickshaw coolies on the French side of the barbed wire. Not for the first time Jim realized that the Japanese, officially his enemies, offered his only protection in Shanghai.
    Nursing his bruised arm, and angry with himself for having lost his school cap, Jim at last reached Amherst Avenue. He pulled his shirt-sleeve over the dark weals that marked his wrist. His mother worried constantly about the danger and violence in the streets of Shanghai, and knew nothing of his long cycle rides around the city.
    Amherst Avenue was deserted. The throngs of beggars and refugees had vanished. Even the old man with his Craven A tin had gone. Jim ran up the drive, looking forward to seeing his mother, sitting on the sofa in her bedroom and talking about Christmas. Already he assumed that they would never discuss the war.
    A long scroll covered with Japanese characters had been nailed to the front door, the white cloth stamped with seals and registration numbers. Jim pressed the bell, waiting for Number Two Boy to open the door. He felt exhausted, as worn down as his scuffed shoes, and noticed that the sleeve of his blazer had been slashed from the elbow by the thief’s knife.
    ‘Boy, hurry…!’ He began to say: ‘I’ll kill you…’ but checked himself.
    The house was silent. There was no sound of the amahs arguing over the laundry vat in the servants’ quarters, or the clip-clip of the gardener trimming the lawn around the flower-beds. Someone had switched off the swimming-pool motor, though his father made a point of running the filter all