FaceOff
who stabbed you, Mr. Starr?” Grace asked.
    “I’d know him anywhere,” Ollie Starr replied, eyes burning into King’s.
    “You old fool,” Ella King yelped at her husband. “I told you to leave it alone, take it to the grave with you. Why did you have to bring it all up?”
    “James Ronald King,” Grace was intoning, “I have a warrant issued for your arrest. I’m arresting you on suspicion of the attempted murder of Oliver Starr. You do not have to say anything, but it may harm your defense if you do not mention when questioned something which you later rely on in court. Anything you do say may be given in evidence. Is that clear?”
    “I’m in remission,” King gasped. “The rest of my life ahead of me . . .”
    “Had a good life so far, have you?” Starr snarled. “Better thanmine, at any rate. All the years I’ve spent in a bloody wheelchair! No wife, no kids!”
    “You can’t do this,” Ella King was pleading. “He’s a very sick man.” Her hand was gripping her husband’s arm.
    Rebus shook his head. “He’s not ill, Mrs. King. We heard it from his own mouth.”
    “But he is sick,” Potting interjected. “Takes a sick mind to shove a knife so deep into someone it breaks their spine.”
    “So far in the past, though,” Ella King persisted. “Everything’s different now.”
    “Not so different,” Rebus replied, looking toward Clarke and Grace. “Besides which, I’d say we got here just in the nick of time.”
    Roy Grace nodded his agreement.
    Different cities, different cultures, different generations, even, but he knew he shared one thing above all else with John Rebus—pleasure in each and every result.

R. L. STINE
VS.  DOUGLAS PRESTON AND LINCOLN CHILD
    D ouglas Preston and Lincoln Child created their character, FBI agent A. X. L. Pendergast, almost by accident. Lincoln was an editor at St. Martin’s Press and had just edited Doug’s first nonfiction book, Dinosaurs in the Attic, a history of the American Museum of Natural History. After that experience, the two decided to write a thriller set in a museum. Doug wrote the first few chapters—involving theinvestigation of a double murder—and sent them to Lincoln for his opinion. Lincoln read the pages and had one objection. He felt the two cops on the investigation were essentially identical. So he suggested they fold both into the same character (who became Lieutenant Vincent D’Agosta). But then he added, “We need a new kind of detective for the second investigator. A person who’s unusual—and who’ll be like a fish out of water in New York City.”
    Doug, already irritated at this criticism of his prose, responded sarcastically, “Yeah, right. You mean, like an albino FBI agent from New Orleans?”
    Silence passed for a few moments between them.
    Then Lincoln said, “I think that could work.”
    Over the next fifteen minutes Special Agent Pendergast was formed, like Athena from the forehead of Zeus.
    And the rest, they say, is history.
    Over the course of many books Agent Pendergast has faced some unusual adversaries, including cannibalistic serial killers, arsonists, a murderous surgeon, a mutant assassin, and even his own mad-genius brother. But never has he confronted an adversary like Slappy the Ventriloquist Dummy.
    Slappy is one of R. L. Stine’s creepiest creations. Bob is one of the best-selling authors of all time, with over 400 million books sold around the world. He is the creator of the amazing Goosebumps series of novels. Millions of kids began reading thanks to Bob’s imagination. Within the Goosebumps series Bob introduced Slappy, through such memorable tales as Night of the Living Dummy, Bride of the Living Dummy, and Son of Slappy. Carved from coffin wood, when brought to life by a certain spoken phrase, Slappy is sarcastic, rude, sadistic, and threatening, with a raspy voice and enormous physical strength. He usually seeks to enslave the luckless child who brought him back to life. He’s

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