or what âave you. And sometimes, theyâre people â people like me anâ you, pet. This wee Child oâ Nimue ââ she held out her finger, which the pink bubble alighted upon, resuming its girl-shape ââ is Rosekin. Sheâs oâ the fae-kind.â
âFay-kind?â
âA faerie, dear.â
Rosekin curtsied her little leaf-skirt, her pointed features grinning at Isola, her toes and ears and eyes included.
âI like you,â said the faerie loudly. âDo you like me?â
âUm . . . yes.â
âYou have a lovely garden.â
âThanks. My mum ââ
âYes,â said Rosekin dreamily, âit looks so delicious.â She fluttered off Mama Sinclairâs hand and landed on Isolaâs knee, where she promptly curled up and began biting her own toenails.
âRosekin has kept me company these many years â and Iâve been keepinâ her belly full.â Mama Sinclair chuckled. âBut Iâll be goinâ soon, anâ I thought you could use another â what did you call it? Ah, a prince .â
Isola looked nervously down at the grubby faerie girl. Rosekin removed her big toe from her mouth and announced, âIâm hungry.â
âWhat do you eat?â
âMy favouriteâs honeysuckle.â
Isola looked at Mama Sinclair.
âJust flowers, lass. The prettier the better. She doesnât eat much. Just make sure no-one mistakes her for a pest and sprays poisons!â She got up out of the plastic chair, stretched and paused to watch the dappled shade shifting over her hands for a moment. âBe good, Rosekin, my little pest,â she said, smiling. âAnd happy birthday, Isola Wilde.â She patted Rosekinâs tiny head with her fingertip, Isolaâs head with her hand, and then turned to leave.
âWhere are you going, Mama Sinclair?â Isola called. âI mean, so you canât be with Rosekin anymore?â
The rotund lady from Number Thirty-nine turned back and chuckled. âOh bless, my wee Child oâ Nimue â Iâm going home!â
Â
A fortnight later Mama Sinclair was buried in the High Cemetery, on a bald hill overlooking the village. She wore her orthopaedic nursing shoes and her Florence Nightingale portrait-pin on her bosom. At her funeral, her husband, the future Boo Radley, spoke at length about her struggle with illness. âThey always call it a battle, a fight against cancer, but my beautiful wife didnât believe in war.â He described her garden, the dirt ingrained in her wrinkles and how she somehow kept flowers blooming year-round. He spoke about her earthy spirituality and her love for animals and children, for hugging and gift-giving, for Vivienâs Wood.
In the third pew from the back, Isola thought of her huge squashing breasts and a music box with a secret faerie inside. A human Child of Nimue gone from lake to tree to earth again.
Rosekin was sobbing tiny pink tears in Isolaâs dress pocket.
Isola had only been to one other funeral before â her grandmotherâs, when she was four.
âDonât worry,â Mother had said thickly at that occasion, tears trickling over the ridge of her lips as sheâd rubbed Isolaâs back consolingly, âshe died in her sleep.â
Mother had only meant that Grandmother hadnât passed in pain, but that night, Isola had lain awake, too frightened to close her eyes. Her blankets had been drawn up to her chin, and shadows had played puppet theatre on the walls.
âAle,â Isola had said in a Mother-proof whisper, âwhat happens if I die in my sleep?â
The summoned spectre had come when called, but couldnât reassure her that he wouldnât let that happen. Before she could upset herself any further, heâd reached into his breast pocket and withdrew two strange, golden coins.
âTo pay the ferryman, querida ,â
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