of a scratchy jazz record drifted out an open window and seemed to fill the space around the gondola, scoring Daniel’s narration. “This one is a sculpture of an angel, and much older, from the pre-classical era. So old, the artist’s identity is unknown. It’s from Anatolia and, like the rest of these artifacts, was stolen during the Second Crusade.”
“So we just go find the sculpture in a church or museum or whatever, lift the halo off the angel’s head, and sprint to Mount Sinai?” Luce asked.
Daniel’s eyes darkened for a split second. “For now, yes, that’s the plan.”
“That sounds too simple,” Luce said, noting the intri-cacies of the buildings around her—the high onion-domed windows in one, the verdant herb garden creeping out the window of another. Everything seemed to be sinking into the bright green water with a kind of serene surrender.
Daniel stared past her, the sunlit water reflecting in his eyes. “We’ll see how simple it is.” He squinted at a wooden sign farther down the block, then steered them out of the center of the canal. The gondola rocked as Daniel guided it to a stop against a brick wall crawling with vines. He grabbed hold of one of the mooring poles and knotting the gondola’s rope around it. The boat groaned and strained against its bindings.
“This is the address Mazotta gave me.” Daniel gestured at an ancient curved stone bridge that spanned between romantic and decrepit. “We’ll head up these stairs and head to the palazzo. It shouldn’t be far.” He hopped out of the gondola and onto the sidewalk, holding out his hand for Luce. She followed his lead, and together they crossed the bridge, hand in hand.
As they walked past bakery stand after bakery stand and vendors selling VENICE T-shirts, Luce couldn’t help looking around at all the other happy couples: Everyone here seemed to be kissing, laughing. She tugged the peony out from behind her ear and slipped it inside her purse. She and Daniel were on a mission, not a honeymoon, and there would never be another romantic encounter if they failed.
Their pace quickened as they turned left onto a narrow street, then right into a broad open piazza.
Daniel stopped abruptly.
“It is supposed to be here. In the square.” He looked down at the address, shaking his head in weary disbelief.
“What’s wrong?”
“The address Mazotta gave me is that church. He didn’t tell me that.” He pointed at the tall, spired Fran-ciscan building, with its triangle of stained-glass roseate windows. It was a massive, commanding chapel with a pale orange exterior and bright white trim around its windows and its large dome. “The sculpture—the halo—must be inside.”
“Okay.” Luce took a step toward the church, giving Daniel a bewildered shrug. “Let’s go in and check it out.” Daniel shifted his weight. His face suddenly looked pale. “I can’t, Luce.”
“Why not?”
Daniel’s body had stiffened with a palpable nervous-ness. His arms seemed nailed to his sides and his jaw was clenched so tightly it could have been wired. She wasn’t used to Daniel’s being anything other than confident.
This was strange behavior.
“Then you don’t know?” he asked.
Luce shook her head and Daniel sighed.
“I thought maybe at Shoreline, they might have taught you . . . the thing is, actually, if a fallen angel enters a sanctuary of God, the structure and all those inside it burst into flames.”
He finished his sentence quickly, just as a group of plaid-skirted German schoolgirls on a tour passed them in the piazza, filing toward the entrance of the church.
Luce watched as a few of them turned to look at Daniel, whispering and giggling to each other, smoothing their braids in case he happened to glance their way.
He fixed on Luce. He still seemed nervous. “It’s one of the many lesser-known details of our punishment. If a fallen angel desires to reenter the jurisdiction of the grace of God, we must
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