me, let me have the whole bed.â
âIâd rather sleep with you. You donât warm your feet on my
stomach.â
âIs that the way to get rid of you?â Connor rolls over and looks at the clock glowing two fifteen. âItâs after midnight. Merry Christmas, Jack.â
âSo youâre Tiny Fucking Tim, now?â
âGod bless us, everyone.â
An hour later Jack wakes with the dead weight of Connorâs arm across his throat. Pushing him away, Jack remembers the strangling-Mona dream. Connor moans, flops to his front, mumbles something about Beth, who may be someone at school or might be a dream creation. Jack doesnât get to know those things anymore.
He goes to the bathroom and finds Santa figurines even there, in a neat row across the toilet top. Instead of getting back into bed with his brother, Jack goes downstairs. Monaâs parents are still sleeping, but theyâve shifted, solidified into each other. The CD changer shuffles back to Bing Crosby, who, like Mona, dreams of an unrealized white Christmas. Mammoth and bright, the tree glows like trees in movies, the biggest box underneath it is the food dehydrator wrapped in red foil. A blue light sizzles and slowly loses its brightness. Jack worries a short might ignite the dry branches, bends over to unplug the tree, changes his mind and leaves it glowing.
In her bedroom, Mona sleeps on her back. Eyes closed, freckles across her nose, and all that red hair strewn across the pink pillowcaseâ
a girl from a douche commercial
. For a split second, he imagines smothering her with a pink throw pillowâhow her body would shudder, arms fighting him. He climbs into the bed, lays his head on her breasts.
âJack?â she murmurs, touching his forehead with drowsy fingers.
âShhh, go back to sleep.â
âChristmas kisses?â she asks, sleepy and childlike.
âOkay.â Inching up so theyâre at eye level, he lightly presses his lips to hers. Turning on her side, she pulls him closer, kisses more urgently.
âI love you,â she whispers in his ear.
âI love you, too,â he says, and means it, loves warming her hands, loves the way she sleeps on him. Still, he has figured out the âbutâ from earlier. âBut Iâm not a Christmas-tree kind of guy.â
âI know, youâre a pretending-to-be-Jewish kind of guy.â
Her heated breath raises hairs on his neck. Maybe she does know that her family likes him for the wrong reasons; that sheâs only in his house to fill the emptiness; that in a parallel universe, he keeps trying to kill her. But he doubts it.
âIâm freezing,â she says, slides frigid hands under his pajama top, then looks at him, suddenly wide awake. âDid it snow?â
âNo,â he says without looking through the window.
all those
girlie-girl
things
For almost four years Mona has been living with Jack, but sheâs still âand guest,â still an accessory. Thumbing the parchment place card with Jackâs name written in calligraphy, Mona nods when the waiter comes by and offers to refill her chardonnay. She canât decide if sheâs sad because sheâs drunk or just sad. She does know sheâs annoyed Jack wonât dance with her at
his
friendâs weddingâannoyed that Jack has spent most of the reception talking with his very pregnant, very married ex-girlfriend; with the exâs parents, whoâve apparently known Jack for almost three decades; with the exâs cousin, who happens to be an appellate court judge.
âWhatâs wrong, Mo?â Itâs not Jack who asks, but Connor, seated on the other side of Jack. âYou look like you canât keep your shoelaces tied.â
Jack doesnât notice because heâs busy being charming and easy. Left foot balanced on his right knee, he trades billable-hour stories with the appellate cousin and the
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