as she passes into the trees, her white shirt aglow in the near dark. Parking the car a block from the path, I walk quickly to the guardrail and slip over it, splashing across the creek, shallow now for late summer, and cut across through Max Bartonâs field. Pushing through the rows of corn, I ease over the barbed wire backing the field, slip into the woods beyond.
The woods are denser than I expect, the sight of the field soon lost. The aspen have grown close together, the bark peeling into paper-thin curls, bushes and undergrowth between the trees. I push in, branches and leaves cracking like bones beneath my feet.
I come through the bushes into a clearing to find the girl there, facing the other way, sitting on a large rock with ungodly phrases spray painted all over it. She is scratching at the dirt with a stick. She has been weeping, I see, her makeup streaked with tears, her eyes gone thick and black around the rims where the mascara is melted and smeary.
âIs anything the matter?â I ask.
She startles, springs up and looks around. I come slowly forward through the bushes so that she can see the whole of me, my face too.
âWhat are you doing here?â she asks.
âDonât you know who I am?â
âOf course I know who you are,â she says. âI see you every Sunday.â
âI am glad you know who I am,â I say. âI didnât think you knew.â
âI do,â she says.
âWhy havenât you ever introduced yourself? Why have you never made an appointment to see me?â
She scratches in the dirt a little. âI thought you were busy,â she says. âI didnât want to bother you.â
âItâs no bother,â I say. âI feel I should get to know all the young people in my congregation. Theyâre the future of the Church. The young people are the ones who need me most.â
I step a little farther into the clearing, leaning my back against the bole of a tree while motioning for her to sit on the rock. She looks briefly over but remains standing.
âHow did you know I was here?â she asks.
âYouâve been crying, havenât you?â
She looks down, twists her hands up. It is hardly an attractive pose.
âDo you want to talk about it?â
âNo,â she says.
âThatâs what a provost is for. To talk things over. To let you talk your problems through. To give you relief.â
She doesnât say anything. But she hasnât run yet. She is as good as mine.
âDo you want to know why I came here? Shall I tell you what brought me?â I ask.
âI donât know,â she says.
âIt was the Lord. I was prompted. He told me that I should come. I didnât know why, so I tried to ignore the feeling, but the prompting kept coming. So I listened and came. You know why the Lord wanted me to come out here?â
âWhy?â she says.
âFor you,â I say.
She ducks her head, cannot seem to look me in the eyes.
âI mean it. God loves you. He wants to help you. He wants you to tell me why youâve been crying.â
âNo,â she says. âI canât.â
âIâve heard every kind of sin. Nothing you say can surprise me. Nothing you say can shock me or make God love you less. You can tell me anything,â I say, smiling. âI know sin inside and out.â
I make my way a little farther into the clearing.
âI wonât tell your parents. It will be just between you and me and God.â
I stand and walk slowly toward her, trying to appear relaxed, approaching her casually.
âYou can trust me,â I say. âIf you canât trust the Lordâs anointed, who can you trust?â
I am close enough that I am able to reach out, touch her arm. She recoils, begins to recoil anyway. Then relaxes. She lets me lead her by the hand to the rock and seat her there. I kneel before her, holding her hands and staring
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