antique, but I’ve modernized all the electric and wiring. And I am the proud possessor of three and a half bathrooms. Get up whenever you want, Mick. Good night,” she called to him as he reached the landing.
He looked back, but she was gone. Gone to do what? Lock up? Put away the clean dishes in the dishwasher? Prepare a pan of sweet rolls for the morning? He had enjoyed this evening. Enjoyed the food, the Seligmanns, Emily. Closing the door of his bedroom he looked about him. The furniture was American Empire, large and mahogany. The dresser had carved feet. The big bed was a sleigh bed. He turned on the bedside lamp and, taking down the simple heavy white cotton coverlet, he folded it neatly and placed it on the spread rack at the foot of the bed. He stripped off his clothing and hung it up and, after walking into the bathroom, showered. Dried off, he opened one of the bedroom windows and climbed into the bed naked. He always slept naked. The bed was made European style, with just a bottom sheet and a down coverlet. It all smelled of lavender, and was surprisingly comfortable. He turned off the bedside lamp.
He wasn’t yet sleepy. He heard Emily come upstairs, and listened to hear where she would go. He heard a bath running, and imagined her naked amid a tub of bubbles. She had little round breasts. He could tell that from the way her blouse clung. Were her nipples small or large? Dusky or a perky, pinker flesh? Her slacks had revealed by their fit a deliciously round little bottom. He imagined smacking that tempting little butt until she was wet with her desire, and ready to be mounted. He groaned softly and reached down to rub his dick, which was distended and hard with his lascivious thoughts. What the hell was the matter with him? He barely knew the girl, and if she was thirty-one, with no husband or visible male friend, it might be that men weren’t her preference. Which, of course, didn’t stop him from desiring her. She couldn’t be gay. But there was an innocence, an untouched quality about her that just begged to be explored. And that was so damned unprofessional.
Martin Stratford had brought him back to the States for a reason. He couldn’t disappoint him by losing his reason and fucking the ears off of Martin’s prize writer. He had to get Emily to write a more sexually involved novel. The days of Georgette Heyer and Barbara Cartland were long over. Oh, there was a small, loyal market for those books, but it wasn’t enough to generate the kind of profit a publishing house had to generate these days. Every book had to be an instant hit. A moneymaker.
Stratford did have the benefit of being a family-owned company—one of two left in the business. It allowed them the advantage of patience that the big conglomerate-owned publishing houses no longer had. Michael Devlin knew he could bring out more in Emily Shanski than she ever imagined she had in her. Make her books more profitable, which, of course, was a double-edged sword. If The Defiant Duchess turned out to be a really big hit among the readers—so much so that they bought it new rather than secondhand—one of the bigger companies might try to snap Emily up. She had a good track record. Her agent was no fool. He would want the best deal for his client.
Rachel had let Emily continue to write basically the same books. Maybe she hadn’t seen it. Maybe her age finally caught up with her, and she was glad to get a clean, well-written manuscript that she didn’t have to fuss with a whole lot, or request rewrites with all those deadlines looming. Emily’s reputation was one of a writer who turned her work in on time and did her few rewrites, her line and copy editing, her galleys when requested, if not a bit before. She was reliable. There was no temperament involved with Emily Shanski, according to everything he had managed to learn about his new author. He was growing sleepy at last. His hard-on was fading with more sensible thoughts, but he
He looked back, but she was gone. Gone to do what? Lock up? Put away the clean dishes in the dishwasher? Prepare a pan of sweet rolls for the morning? He had enjoyed this evening. Enjoyed the food, the Seligmanns, Emily. Closing the door of his bedroom he looked about him. The furniture was American Empire, large and mahogany. The dresser had carved feet. The big bed was a sleigh bed. He turned on the bedside lamp and, taking down the simple heavy white cotton coverlet, he folded it neatly and placed it on the spread rack at the foot of the bed. He stripped off his clothing and hung it up and, after walking into the bathroom, showered. Dried off, he opened one of the bedroom windows and climbed into the bed naked. He always slept naked. The bed was made European style, with just a bottom sheet and a down coverlet. It all smelled of lavender, and was surprisingly comfortable. He turned off the bedside lamp.
He wasn’t yet sleepy. He heard Emily come upstairs, and listened to hear where she would go. He heard a bath running, and imagined her naked amid a tub of bubbles. She had little round breasts. He could tell that from the way her blouse clung. Were her nipples small or large? Dusky or a perky, pinker flesh? Her slacks had revealed by their fit a deliciously round little bottom. He imagined smacking that tempting little butt until she was wet with her desire, and ready to be mounted. He groaned softly and reached down to rub his dick, which was distended and hard with his lascivious thoughts. What the hell was the matter with him? He barely knew the girl, and if she was thirty-one, with no husband or visible male friend, it might be that men weren’t her preference. Which, of course, didn’t stop him from desiring her. She couldn’t be gay. But there was an innocence, an untouched quality about her that just begged to be explored. And that was so damned unprofessional.
Martin Stratford had brought him back to the States for a reason. He couldn’t disappoint him by losing his reason and fucking the ears off of Martin’s prize writer. He had to get Emily to write a more sexually involved novel. The days of Georgette Heyer and Barbara Cartland were long over. Oh, there was a small, loyal market for those books, but it wasn’t enough to generate the kind of profit a publishing house had to generate these days. Every book had to be an instant hit. A moneymaker.
Stratford did have the benefit of being a family-owned company—one of two left in the business. It allowed them the advantage of patience that the big conglomerate-owned publishing houses no longer had. Michael Devlin knew he could bring out more in Emily Shanski than she ever imagined she had in her. Make her books more profitable, which, of course, was a double-edged sword. If The Defiant Duchess turned out to be a really big hit among the readers—so much so that they bought it new rather than secondhand—one of the bigger companies might try to snap Emily up. She had a good track record. Her agent was no fool. He would want the best deal for his client.
Rachel had let Emily continue to write basically the same books. Maybe she hadn’t seen it. Maybe her age finally caught up with her, and she was glad to get a clean, well-written manuscript that she didn’t have to fuss with a whole lot, or request rewrites with all those deadlines looming. Emily’s reputation was one of a writer who turned her work in on time and did her few rewrites, her line and copy editing, her galleys when requested, if not a bit before. She was reliable. There was no temperament involved with Emily Shanski, according to everything he had managed to learn about his new author. He was growing sleepy at last. His hard-on was fading with more sensible thoughts, but he
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