to leave the room. He wanted him there. He wanted his mother there. He wanted them to tell him stories. He wanted them to sing a song.
But Da closed the door softly and went back to the room where his wife lay cold and broken. Robert heard the sound of turf being dropped upon the fire. And then the doors opened and his father went outside to howl with Bran at the moon.
11.
H e was awake before dawn. Robert cracked open his bedroom door and glanced at the hearth, hoping none of this had happened, that he’d moved through a terrible dream, that his mother would be standing there, mixing porridge in a pot. But no: Her body was where he had seen it last, lying on boards beside the hearth. It was wrapped now in a kind of oiled cape, her face barely visible through a tightly drawn green shawl. Da whispered to the boy to dress warmly, for they were going to the West.
In his room, Robert pulled on wool shirts and socks, staring at the wall where the horse’s skull was hidden. Tell me something, he thought. Tell me what this is all about…. When Robert came out, his father lifted Rebecca Carson as if she were a sleeping child and told the boy to open the Western door. They passed through, his father bending under the transom. Thunder was already harnessed to a cart roofed by a small canvas tent. Da laid his wife on rush mats on the floor of the cart. He looked at her for a long moment, as if remembering unfinished conversations, and then went back to place some damp, slow-burning turf on the fire. He emerged with extra blankets, closing the door behind him. Tenderly, he covered her body with the blankets, and then he and his son climbed up on the seat of the cart and started into the bruise-colored darkness, riding to the West. Bran hurried along beside them.
They rode for hours, following narrow paths into dense forest. High trees sheltered them from the rain. They saw no houses, no towns. They climbed and climbed. At one point, they paused and Robert lifted the panting Bran up on the buckboard. It was full daylight now, but still dark among the ancient trees.
Then, from the leafy darkness Robert heard a voice say something in a language he didn’t know. A tree was speaking! His father answered back. Using words Robert had never heard him say. The boy trembled with excitement: There in the cold mist, his father was speaking to trees and the trees were talking back. Every fifty feet another tree talked, its branches moving, and his father answered. Bran was alert, his wet nose quivering, his jaws clamped shut, but he didn’t bark. He too seemed to know the secret language of the trees.
Finally the path ended. A wall of trees and foliage blocked their way. Da waited and said nothing. Thunder shuddered and pawed the ground as if anxious to go on.
And then the trees parted, and they moved forward into a wide hidden grove.
In the center was an immense flat boulder, like a stone table supported on legs chopped from the face of a mountain. There were carved markings on the boulder that Robert couldn’t read. Around the edges of the grove, hidden under the dark spreading branches of alder and oak, he saw tall stone columns rising twelve feet into the air, as if aimed at the stars. Their tops were rounded, their sides finely planed. The hush was eerie, the sound of something that had not yet happened. Thunder shuddered again. Bran growled. A hawk cried from some unseen place high in the sky. Then from the trees came some of the men who had visited Da in the evenings when his mother was alive. Their women were behind them, and some white-bearded men in long dark gowns, all of them speaking that language.
Da eased off the wagon and so did Bran and the boy. The men embraced his father and whispered to him. None of them wept. Four of the women lifted Rebecca Carson from the wagon and carried her to the flat boulder, which Robert now realized was an altar. They laid her out on the altar, applying oils from small jars to her eyelids.
Yvonne Harriott
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Jerry B. Jenkins, Chris Fabry
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Carrie Kelly