spiders, have no smell that he can detect, make no noise, and keep to themselves.
He might be content here for a long time if not for the fact that the secret of happiness abides in the house above him, and he must have it.
In a newspaper, he once saw a photograph of Detective Carson O’Connor with her brother, Arnie. Arnie is an autistic like Randal Six.
Nature made Arnie autistic. Randal was given his affliction by Victor. Nevertheless, he and Arnie are brothers in their suffering.
In the newspaper photo, twelve-year-old Arnie had been with his sister at a charity event benefiting autism research. Arnie had been smiling. He looked happy.
During his four months of life in the Hands of Mercy, Randal has never been happy. Anxiety gnaws at him every minute, every day, more insistently some times than at others, but always chewing, nibbling. He lives in misery.
He never imagined that happiness might be possible—until he had seen Arnie’s smile. Arnie knows something that Randal does not. Arnie the autistic knows a reason to smile. Perhaps many reasons.
They are brothers. Brothers in suffering. Arnie will share his secret with his brother Randal.
Should Arnie refuse to share it, Randal will
tear
the secret out of him. He will get it one way or another. He will kill for it.
If the world beyond the lattice were not so dazzling, so full of sights and motion, Randal Six would simply slither out from under the house. He would enter the place by a door or window, and get what he needs.
After his trip from Mercy and the ordeal of the thunderstorm, however, he cannot endure that much sensory input. He must find a way into the house from the crawl space.
No doubt the spiders do it often. He will be a spider. He will creep. He will find a way.
CHAPTER 14
NICHOLAS FRIGG WALKED the earthen ramparts that wound between and around the lakes of waste and rubbish, manager of the dump and master of all that he surveyed.
Over his jeans he wore thigh-high rubber boots hooked by straps to his belt. In this blazing heat he went barechested, wore no hat, and let the sun bake him to a bread-crust brown.
He had no worry about melanoma. He belonged to the New Race, and cancer could not touch him.
The malignancies that ate at him were alienation, loneliness, and an acute awareness of his enslavement.
In these uplands, significantly northeast of Lake Pontchartrain, the garbage arrived from the Big Easy and from other cities, seven days a week, in an endless caravan of semis with hydraulic rams that expelled compressed blocks of trash into the steaming pits of the landfill.
Misanthropes and cynics might say that regardless of the city, whether it be New Orleans or Paris or Tokyo, the definition of its garbage ought to include the worst examples of humanity that walked its streets.
And, of course, the urban legends of every city included stories asserting that the Mafia disposed of witnesses and other nuisances in garbage dumps where the workers were members of mobster-controlled unions.
The putrid depths of the Crosswoods Waste Management facility actually did contain thousands of bodies, many of which had appeared to be human when they had been secretly interred here over the years. Some
were
human, the cadavers of those who had been replaced by replicants.
The others were failed experiments—some of which did not look human at all—or members of the New Race who for a host of reasons had been terminated. Four Erikas were buried in these reservoirs of waste.
Everyone who worked at the dump belonged to the New Race. They answered to Nick Frigg, and he answered to his maker.
Crosswoods was owned by a Nevada corporation, which was itself owned by a holding company in the Bahamas. That holding company was an asset of a trust based in Switzerland.
The beneficiaries of the trust were three Australian nationals living in New Orleans. The Australians were in fact members of the New Race, who were themselves owned by Victor.
At the
He might be content here for a long time if not for the fact that the secret of happiness abides in the house above him, and he must have it.
In a newspaper, he once saw a photograph of Detective Carson O’Connor with her brother, Arnie. Arnie is an autistic like Randal Six.
Nature made Arnie autistic. Randal was given his affliction by Victor. Nevertheless, he and Arnie are brothers in their suffering.
In the newspaper photo, twelve-year-old Arnie had been with his sister at a charity event benefiting autism research. Arnie had been smiling. He looked happy.
During his four months of life in the Hands of Mercy, Randal has never been happy. Anxiety gnaws at him every minute, every day, more insistently some times than at others, but always chewing, nibbling. He lives in misery.
He never imagined that happiness might be possible—until he had seen Arnie’s smile. Arnie knows something that Randal does not. Arnie the autistic knows a reason to smile. Perhaps many reasons.
They are brothers. Brothers in suffering. Arnie will share his secret with his brother Randal.
Should Arnie refuse to share it, Randal will
tear
the secret out of him. He will get it one way or another. He will kill for it.
If the world beyond the lattice were not so dazzling, so full of sights and motion, Randal Six would simply slither out from under the house. He would enter the place by a door or window, and get what he needs.
After his trip from Mercy and the ordeal of the thunderstorm, however, he cannot endure that much sensory input. He must find a way into the house from the crawl space.
No doubt the spiders do it often. He will be a spider. He will creep. He will find a way.
CHAPTER 14
NICHOLAS FRIGG WALKED the earthen ramparts that wound between and around the lakes of waste and rubbish, manager of the dump and master of all that he surveyed.
Over his jeans he wore thigh-high rubber boots hooked by straps to his belt. In this blazing heat he went barechested, wore no hat, and let the sun bake him to a bread-crust brown.
He had no worry about melanoma. He belonged to the New Race, and cancer could not touch him.
The malignancies that ate at him were alienation, loneliness, and an acute awareness of his enslavement.
In these uplands, significantly northeast of Lake Pontchartrain, the garbage arrived from the Big Easy and from other cities, seven days a week, in an endless caravan of semis with hydraulic rams that expelled compressed blocks of trash into the steaming pits of the landfill.
Misanthropes and cynics might say that regardless of the city, whether it be New Orleans or Paris or Tokyo, the definition of its garbage ought to include the worst examples of humanity that walked its streets.
And, of course, the urban legends of every city included stories asserting that the Mafia disposed of witnesses and other nuisances in garbage dumps where the workers were members of mobster-controlled unions.
The putrid depths of the Crosswoods Waste Management facility actually did contain thousands of bodies, many of which had appeared to be human when they had been secretly interred here over the years. Some
were
human, the cadavers of those who had been replaced by replicants.
The others were failed experiments—some of which did not look human at all—or members of the New Race who for a host of reasons had been terminated. Four Erikas were buried in these reservoirs of waste.
Everyone who worked at the dump belonged to the New Race. They answered to Nick Frigg, and he answered to his maker.
Crosswoods was owned by a Nevada corporation, which was itself owned by a holding company in the Bahamas. That holding company was an asset of a trust based in Switzerland.
The beneficiaries of the trust were three Australian nationals living in New Orleans. The Australians were in fact members of the New Race, who were themselves owned by Victor.
At the
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