From Atlantis to the Sphinx

From Atlantis to the Sphinx by Colin Wilson Page B

Book: From Atlantis to the Sphinx by Colin Wilson Read Free Book Online
Authors: Colin Wilson
Tags: General, History
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Who’s Who made it clear that he would be the ideal supporter. Although still in his twenties, he had published four books, and was a highly respected stratigrapher—a geologist who studies layers of sedimentary rock—and palaeontologist. But to begin with, it looked as if he was going to be as evasive as the Oxford geologist. West was advised not to try approaching him directly in case he scared him off. Periodically, reports came back: Schoch had been approached, Schoch was willing to look at the material, Schoch’s first reaction had been scepticism... Eventually, after studying all the material West could muster, Schoch began to express a cautious interest. But he was up for tenure, and it would have been insane to jeopardise this by espousing an opinion that would be sure to enrage his academic colleagues. Years went by with these occasional reports, until, at last, West travelled to Boston to meet him.
    He had taken a boxful of slides, and when they had looked at them, and they had discussed the whole question, Schoch admitted what was worrying him. 'From the photograph, it looks like water weathering. It looks so obvious. If you’re right, I can’t believe that no one would have noticed it before.’
    Clearly, he would have to go to Egypt to see for himself. But that would have to wait until he had tenure.
    That finally came in April 1990. Two months later they were in Cairo. West was in a state of tension as they approached the Giza site, half-expecting Schoch to point out some geological gaffe that would destroy his whole theory. But Schoch seemed quietly impressed. At first sight, he could see nothing that undermined West’s belief in water-weathering. The Sphinx enclosure—the walls of limestone that surrounded the Sphinx on two sides—certainly showed the typical undulating pattern of rain weathering. But he felt that he needed a more detailed study, together with the aid of a geophysicist, as well as up-to-date seismographic equipment.
    It seems probable that the original rock that formed the head of the Sphinx was an outcrop that once rose above the ground beside the Nile. Schoch theorised that it may have been carved into some kind of face—either human or animal (such as a lion) at some remote date when the surrounding countryside was still green. Then, at some later date, it was decided to add a body. For this purpose, its makers sliced into the softer limestone below and around the head—creating a two-sided wall or enclosure—thus giving themselves elbow room to work. The great blocks they removed—200 tons each—were used to construct two temples in front of the Sphinx. These ancient architects worked in a style that might be called ‘Cyclopean’, using absurdly large blocks—which could far more conveniently have been carved into a dozen smaller ones—and erecting them into structures as simple and undecorated as Stonehenge.
    The next step was to hack out roughly the chunk of rock that would form the body of the Sphinx—which would eventually be 240 feet long, and 66 feet high, as tall as a six-storey building. From the point of view of posterity, it is a pity that the whole Sphinx was not carved out of the same type of rock, for the limestone body has eroded far more than the harder head and shoulders. The present damage to the Sphinx's head was done in 1380, by a fanatical Arab sheikh, and later by the Mamelukes, who used it for target practice.
    And what evidence have we about the age of the Sphinx? Oddly enough, it is not mentioned by Herodotus, and so we must assume either that it was covered with sand when Herodotus visited Egypt around 450 BC, or that the outcrop of badly eroded rock sticking up above the surface bore so little resemblance to a face that he did not even notice it.
    When the sand—which buried it up to its neck—was cleared away in 1817, a small temple was revealed between the paws. This contained the statue of a lion and three stelae; the one against the

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