Getting Over Jack Wagner

Getting Over Jack Wagner by Elise Juska Page B

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Authors: Elise Juska
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happened between us to sit down and start writing about it. Instead, I wander the one-room heat trap I call my apartment. I read CD titles. I pick through old mail and coupon flyers. I stare at the mess of magnetic words on the fridge: “Sublime dawn.” “Chocolate feather.” “Hard anarchy” (from Karl). I skim the scrawled lists I’ve hung beside them—“Movies to Rent,” “CDs to Buy,” “People to Get Back in Touch With”—and inventory my cabinets: boxes of carbohydrates, jar of tartar-control cat treats.
    For a moment, I see the apartment the way an outsider would: lonely, neurotic, vitamin deficient. A litany of beige foods. A cat substituting for a child. A kitchen that stays clean (but not too clean) in fear of becoming its mother.
    My apartment is on the second floor of a gray three-story row house in the Manayunk neighborhood of Philadelphia. Most of Manayunk is made up of old skinny row houses squashed together on steep, winding, one-way, dead-end streets. Drink too much, then walk too fast, and the neighborhood can make you dizzy. The residents are a mix of big, thick-skinned families who haven’t moved for ten generations sitting on their front stoops, chewing on cheesesteaks and cigarettes, and a new wave of twenty-somethings who rent group houses and flood the bars, coffee shops and art galleries on the newly revived Main Street.
    My downstairs neighbor is your classic old-time Yunker: a sixtyish chain-smoker named Margaret with a raspy voice and a chihuahua who yaps at the sound of a light breeze. Her windows are crowded with garish suncatchers, angel statuettes, and this ominous pair of stickers: WELCOME JESUS and BEWARE OF DOG. By now, I’ve grown immune to the sounds and smells of Salem Ultras and Who Wants To Be a Millionaire seeping through my floorboards.
    Until recently, my upstairs neighbors were a young couple: Chloe, a vegetarian sculptor, and Mark, an investment banker. Shockingly, they broke up. (“Fundamental differences,” Chloe spat, when I ran into her outside by the trash cans throwing away pottery shards.) My new neighbor I haven’t met or even seen yet. I’ve heard him, though: pianist. Typical, new-wave Manayunk. Probably a closet case with no phone or friends or overhead lights.
    I open a cabinet, rip open a pouch of chicken-flavored ramen and wander to the east corner/living room, crunching it raw. Outside it’s drizzly and depressing, but that doesn’t stop some neighborhood kids from playing stickball in the street. For bases, they’ve grabbed up some of the arrogant orange cones and frayed lawn chairs people line by the sidewalk to hold their parking spots.
    I flick on the plastic fan in the window, pick up the phone, and dial Hannah. “I’m here,” I tell her machine. “Karl isn’t. Call me.” To Andrew’s machine I say only, “Hey, call me back,” trying to distill any desperation from my voice in case Kimberley happens to hear it. I wonder where my two best friends could possibly be on a rainy Sunday afternoon at 4:27. Everyone is home on Sunday afternoons at 4:27. That’s the time when people watch sports and eat roast beef. The streets are empty, except for kids and orange cones, on Sunday afternoons at 4:27.
    I put down the phone and roam my bookshelves, open Ulysses for the hundredth time, read one line, close it. I consider paying a few bills, just so I haven’t completely lied to Karl about my plans for the afternoon (since it’s pretty clear I’m not unwinding) but in the end, I don’t pay or do anything. In the end, I reach for Leroy, my mean gray ball of a cat who on the rare occasion will sense my distress and show me affection, and flop down on my bed. Ramen and Leroy. Love’s last resort.
    I hate this part. The part between the middle and the end, between the conversation where you need to “unwind” (i.e.,

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